A Quote by Felicity Jones
On 'Rogue One,' we had these sets with tiny little buttons that would light up when you pressed them, and screens full of graphics, and it really felt like you were driving a spaceship. The level of detail; you'll be two meters away from where the action is, but there'll be a little detail there just in case the camera catches it.
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The detail of my art depends entirely on the project itself. I tend to be a little more detail-oriented with covers than I am with interior pages, and I try to reduce the detail on action sequences as opposed to suspense passages.
The spectacular catches are the ones that you remember detail for detail. The ones with two hands, it's kind of routine.
When I was little, I loved books that gave me lots of detail so that I felt like I could be transported to this other place, or, in the case of an illustration, I felt like I could walk into the page.
The dot stands for 'detail' - always be paying attention to detail. I feel that people take you as serious as you take yourself. I spent a lot of time working on my craft, developing my style, and after I came out of my little incubation, I promised that I would pay attention to detail.
Being a quarterback, the way I believe is there's always so much room to improve. Any little detail. I always cut up the film and try to watch what I can improve on, whatever little detail it is.
Without going into too much detail, the end of my major action scene, after the climax of the scene, there was one little change that I suggested regarding the way things should turn out. It was in the detail of the tears of blood.
When I started, you didn't focus so much on production, certainly not - gosh - down to the finest little detail of how you shifted your eyes or how you turned to somebody. A lot of the shots were far away from a still camera. There weren't as many close-ups and intimacy.
Everything he had ever done that had been better left undone. Every lie he had told — told to himself, or told to others. Every little hurt, and all the great hurts. Each one was pulled out of him, detail by detail, inch by inch. The demon stripped away the cover of forgetfulness, stripped everything down to truth, and it hurt more than anything.
... what would Poirot do? Poirot wouldn't flap around in a panic. He'd stay calm and use his little grey cells and recall some tiny, vital detail which would be the clue to everything.
When I visited Syrian special forces along the front lines, I was given extraordinary amounts of detail. They gave me the code numbers for the various positions they've got, told me where the rebels were - about 800 meters away in a forest. I met soldiers who had been wounded but were still serving.
I didn't like what was on TV in terms of sitcoms?it had nothing to do with the color of them?I just didn't like any of them. I saw little kids, let's say 6 or 7 years old, white kids, black kids. And the way they were addressing the father or the mother, the writers had turned things around, so the little children were smarter than the parent or the caregiver. They were just not funny to me. I felt that it was manipulative and the audience was looking at something that had no responsibility to the family.
Attention to detail is the secret of success in every sphere of life, and little kindnesses, little acts of consideration, little appreciations, little confidences,. . . . they are all that are needed to keep the friendship sweet.
An executive cannot gradually dismiss details. Business is made up of details and I notice that the chief executive who dismisses them is quite likely to dismiss his business. Success is the sum of detail. It might perhaps be pleasing to imagine oneself beyond detail and engaged only in great things, but as I have often observed, if one attends only to great things and lets the little things pass the great things become little; that is, the business shrinks.
I had a friend who was a plastic surgeon, so he would do little things. I never had, like, a full thing. So I would go in maybe once every two or three years, and he'd do a little here, a little there; tweak you, like you tweak your car. Then I became the plastic surgery poster girl.
We have some goats, some chickens, and we used to have pigs. There used to be two ostriches as well, but they were a little bit violent, so we had to give them away. When we were little, we used to play with the goats all the time. We each had our own little goat, and we'd go and run around with them.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
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