A Quote by Felicity Jones

I think there is an enormous appetite for great roles for women. You can see that clearly with things like 'The Hunger Games.' — © Felicity Jones
I think there is an enormous appetite for great roles for women. You can see that clearly with things like 'The Hunger Games.'
I think there is an enormous appetite for great roles for women.
What I really want to do is create great roles for women. And I'm not talking Nicholas Sparks romance. I think women's roles have gotten ghettoized in these sort of places... I'm thinking women in action, comic books, or like the Tony Soprano of women. We need some complex roles.
When I look in the fridge, I see groceries, but I don't see food. My stomach growls; but there is no appetite. Appetite and hunger are different. Appetite is the mental prompting that kicks the auto-response into drive so you actually reach out, take the food, put it in your mouth, chew, and swallow. I learned this in my first psychology course. Eating isn't just a physical need; it starts in the mind, generating hunger, which then should trigger the body to ingest food. I have no sparks between these plugs.
I think a lot of women would like to eat like a man, especially on a date. But they're probably afraid to. But a guy would love to see a woman with a healthy appetite. They love seeing women with a healthy appetite.
I would like to see even more women coming in to all roles, particularly into the specialisms like firearms and public order, I would like to see women being really confident and comfortable in those roles.
There was an enormous revival of pulp fiction that started in the '60s and continued into the '70s, which in large part gave rise to things like 'Star Wars' and 'Indiana Jones,' among others. But I developed an appetite for the original stuff at the time, and that appetite has never really abated.
Like hunger, physical love is a necessity. But man's appetite for amour is never so regular or so sustained as his appetite for the delights of the table.
While I think men and women are equal, they are also different and I think it's inevitable and I don't think it's a bad thing at all that we always have, say, more women doing things like physiotherapy and an enormous number of women simply doing housework.
Women's art, though created in solitude, wells up out of community. There is, clearly, both enormous hunger for the work thus being diffused, and an explosion of creative energy, bursting through the coercive choicelessness of the system on whose boundaries we are working.
I think there are great roles for women in television because there is time to allow those characters to evolve. Even if you're the wife or the girlfriend or whatever it is that we women are, playing those things on TV, they are much more drawn out and there are greater arcs for the role. The roles are more integral to the complexity of the story.
Desire is in men a hunger, in women only an appetite.
I like roles that bring the unexpected. Roles that may challenge the way people think about things and perceive things. And I like roles that reflect a reality.
I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.
There's more empathetic representations than we're used to seeing. I honestly feel like in the early days of Hollywood, women did have those. Women had very traditional roles in society of wife and mother, but when they went to the movies, they got to see women be, like, really cool, amazing characters and femme fatales and all of this. And then there was just this systemic reaction where it was all about, "How do we make money?" And everybody wants to sell things to boys. And then women's entertainment became devalued in a way that I think is disrespectful and hurtful.
We need to encourage more women to write roles for other women. The great substantive roles aren't being written for women and aren't being produced and directed by women.
I have an enormous appetite to see life as I know it presented in front of my eyes.
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