A Quote by Felicity Kendal
So many roles for women demand that you make the audience fall in love with you or sympathise with you.
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The makers love to show women being oppressed, and the audience also loves watching these stories. I'm sorry to say, but a large portion of the audience that watches these shows are women. They make women cry and abuse in the shows and women audiences are glued to such plots. I don't understand this syndrome.
I'd quite like to do a film but I'd also love to do more theatre. I want to keep challenging myself with good roles. It's harder for women because there aren't as many challenging roles.
I have noticed a growth in demand from audiences to include more women of colour and women to be cast as significant roles in TV shows and movies.
What I really want to do is create great roles for women. And I'm not talking Nicholas Sparks romance. I think women's roles have gotten ghettoized in these sort of places... I'm thinking women in action, comic books, or like the Tony Soprano of women. We need some complex roles.
Anybody can sympathise with all the sufferings of the pal, nevertheless it involves an extremely great mother nature to sympathise by using a friend's achievement.
You can't make the audience fall in love with a character you don't like.
It's time for there to be roles in the ballet where two men can fall in love, and a woman can lead a company of 20 dancers that include both men and women.
The reality is that there are so few roles out there for women and for women of color, and I'm a character actor, this I know. And I'm getting to see more of the roles that are out there, but there aren't many. And zilch have been studio movies. Zilch.
Films with female protagonists don't attract many eyeballs. Most of them are perceived as feminist films. If Bollywood starts giving women major roles in entertaining movies, then the audience, too, will open up to the idea of watching commercial films in which the actresses do more than just play the role of the hero's love interest.
If you just look at the number of roles for women versus the number of roles for men in any given film, there are always far more roles for men. That's always been true. When I went to college, I went to Julliard. At that time - and I don't know if this is still true - they always selected fewer women than men for the program, because there were so few roles for women in plays. That was sort of acknowledgment for me of the fact that writers write more roles for men than they do for women.
I never sympathise with the accused unless there's a chance the accused is not guilty, but I certainly don't ever sympathise with the criminal.
One woman told me that every time she wears Lanvin, men fall in love with her. Another told me she wore Lanvin to face her husband's lawyer because she felt protected. If I can make men fall in love with women and if I can protect women, I think I can die peacefully.
I like women who haven’t lived with too many men. I don’t expect virginity but I simply prefer women who haven’t been rubbed raw by experience. There is a quality about women who choose men sparingly; it appears in their walk in their eyes in their laughter and in their gentle hearts. Women who have had too many men seem to choose the next one out of revenge rather than with feeling. When you play the field selfishly everything works against you: one can’t insist on love or demand affection. You’re finally left with whatever you have been willing to give which often is: nothing.
I love directors who aren't going back to the stereotypes, who are helping write and create roles for women that are not in the typical Hollywood box. I'm very, very interested in films that are going outside of stereotypical roles for women.
Don't that make you wanna fall in love
Don't that look like a picture of us
A match made in heaven if there ever was
Don't that make you wanna fall
That just makes me wanna give you my heart
Ever forever needs a place to start
Gotta be a sign from up above
Don't that make you wanna fall in love
We need to encourage more women to write roles for other women. The great substantive roles aren't being written for women and aren't being produced and directed by women.
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