A Quote by Felicity Kendal

In a play, the director is God, and I'm a great arguer. Rather boringly so, I think, about trying different things. — © Felicity Kendal
In a play, the director is God, and I'm a great arguer. Rather boringly so, I think, about trying different things.
I think I'm up for not trying to play a literary heroine. I think I'd rather just do someone that has just been created in a script, rather than in a book that everyone knows and loves. The difficulty with it and the reason these characters are so loved is that every woman and man that reads it understands it in a different way. They're so relatable, but different aspects will be drawn from different people.
To play one of the main characters in it, it's not the kind of thing you don't do. Oh, I'd rather not play Pippin in Lord of the Rings... In fact, I'm trying to think - what else would you rather do, you know? I can't actually think of another job that I'd rather do.
I think as you get older, you find you can play more things because you're moving to a different category. You play a certain thing as a younger man, playing action roles like I did. Then I moved out, and I kept trying to do different things all the time.
I definitely managed to do different kinds of things. My focus is usually who the director is, because at the end of the day the director is the storyteller, what the movie is all about. I don't want to participate in something that I don't think is constructive storytelling.
I'm really just trying to do things that I enjoy. I'm trying to play music that I like to play and like to listen to. I just have to think if I like those different kinds of music, there are other people who aren't so different from me.
I am a director and I think actually they're not that different - dramas and docs aren't that different. When I'm doing a drama I'm trying to make things feel as believable and real as possible. The hair, the make-up, the costume, the design, you're trying to make it authentic. And when you've got a documentary it's all authentic, so what story are you going to tell and how do you make it dramatic and exciting? It's the same thing.
I'm not good at confrontation. I know my strengths. I like company. And I am not a great arguer... I do find it much easier talking to people I like about things we both like.
To be a great director, what does it mean exactly? It's not only about a great director, but also about being able to rely on the very special chemistry that goes between them. It not only has to be a great director, but the great director has to make his relationship to you, the actor, very special.
Every director is different. One of the great things about getting to work with so many directors in one TV series is collaborating with different artistic visions and voices. And they all have something to offer and making the story better and bringing their vision to what you see in the frame.
On the field I'm trying to play for the glory of God but then also I'm trying to give everything I have and win and compete. And so I think more than just winning or losing, I think He cares about where our hearts are when we're playing.
I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
I tend to think about so many different things on a recording. I'll be trying to tune into what the drummer's doing, trying to keep everyone playing the groove and other things like making sure the piano's in a nice pocket.
I would never do a printed memoir. I've been asked to publish a memoir from years by different publishers and literary agents. I think it wouldn't be great for me because all I'd really want to talk about it music and I'd rather just play it.
An argument in apologetics, when actually used in dialogue, is an extension of the arguer. The arguer's tone, sincerity, care, concern, listening, and respect matter as much as his or her logic - probably more. The world was won for Christ not by arguments but by sanctity: "What you are speaks so loud, I can hardly hear what you say.
I can one day do dance, and the next maybe do a movie, and then maybe I can choreograph, or work with different photographers for fashion shoots, or different art forms. You're never stuck. You're going at a different level. You're sucking in things, rather than closing. You're trying things out.
I'm moving - as a person and as a writer - through time. I'm a different age. I'm thinking about different things. I have different life experiences. I'm trying to get closer to being honest. And by closer I mean that at different ages I have different ideas of what the truth is, and at any point I'm trying to express that at that moment in time.
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