A Quote by Felipe Esparza

I hate when comedians use Performed For The Troops as one of there credits before they go up on stage. — © Felipe Esparza
I hate when comedians use Performed For The Troops as one of there credits before they go up on stage.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
Buying pollution credits is folly; it doesn't help the environment. Instead of using tax dollars to buy credits overseas, we'll use them at home.
It's so scary to go on stage. I used to throw up before I went on stage, every time.
Most people go on living their everyday life: half-frightened, half indifferent, they behold the ghostly tragic-comedy that is being performed on the international stage before the eyes and ears of the world.
I was brought up with TV comedians. I'll remember them till I go to my grave, all those comedians, as decadent fluff.
When you go on a stage, before you go on a stage you're really scared and you're really frightened. You don't know what to do. "Why did I say yes to this?" But once you're on the stage you think, "Okay."
I don't know about other comedians, but I know that I never have felt anything like stage fright. I've felt nervous before big shows, but I think that's different than stage fright.
For aspiring comedians? Don't listen to me. Just go on stage and do what you think is funny.
I found that if I got up on the stage to entertain the troops I could make them shut up and look.
I go running three times a week - outside in the park, come rain or shine, and I hate every moment of it. I hate everything about it. But I know it's important for health reasons and the reason why I run, in particular, is because my stage work is like cardiovascular work so I don't want to lose my breath on stage.
Like any other person who reads a ton of books, I hate many, many books. Oh, how I hate them. I have performed dramatic readings of the books I hate. I have little hate summaries. I have hate impressions. I can act out, scene by hateful scene, some of these books. I can perform silent hate charades.
And I never forgot this as long as I've ever performed, no matter how crap I had felt before I went on stage. I just remember Tina Turner going up there, singing her heart out for everybody, and meantime she had a 102-degree fever and she was feeling terrible.
Just giving the people a great show, leaving it all on the stage. Like when I'm finished I don't want to go home with nothing, I want to leave it all there on the stage, that's what I'm thinking about before I hit the stage.
I think when I was young, let's call it high school, and even before that, I just loved comedy, and I loved comedians. I grew up watching Laurel and Hardy. That's really a long time ago. I loved Jerry Lewis. I just loved comedians.
I've never told anyone this. But I suffer from terrible stage fright. True. You can't tell though, can you? Unbelievable, the panic. I nearly die of fear before I go on stage. Something wicked. I can't eat a thing the day before a gig. It'd make me vomit.
One thing I did pick up from Cannonball Run was the use of bloopers and outtakes under the final credits, which I've done in all my movies since.
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