A Quote by Felipe Esparza

I started drinking when I was like 15, and by the time I was 19 everybody knew I was an alcoholic. So I would start five fights every weekend and lose terribly. First you start off fighting with one person and then he beats you up; and then one guy would be laughing, so you would hit him, too.
I had a lot of great lakes of ignorance that I was up against, I would write what I knew in almost like islands that were rising up out of the oceans. Then I would take time off and read, sometimes for months, then I would write more of what I knew, and saw what I could see, as much as the story as I could see. And then at a certain point I had to write out what I thought was the plot because it was so hard to keep it all together in my head. And then I started to write in a more linear way.
I went to college, I wrestled and I took some amateur fights. When I graduated, I wanted to start using my degree, but I figured I would start fighting professionally. Then I won 18 in a row and I fought Eddie Alvarez on pay-per-view.
I started doing stand up when I was 19. Because I was underage at the time, at certain clubs I would be forced to wait outside until it was my time to go on stage. Then I would do my set, walk off, and be kicked out again.
Ever since I was a little kid, I got bored, so I learned to sing, and I started singing lessons. And then anytime I was bored, I would start writing and start messing around on my computer, making beats. Then I got bored and started making YouTube videos; that changed my life in a big way.
At City, when I was playing, I knew that at some point, the substitution board would go up, and I was going to come off because the manager didn't have trust in me. Then, you start to lose your confidence on the pitch.
I would start off with a lively rag, then would come a ballad, followed by a comedy song and a novelty number, and finally, the hot song. In this way, I left the stage with the audience laughing their heads off.
When I was little I went to a Baptist Church with my grandmother. My earliest memories were of her falling out in the middle of the floor and they had to cover her with a white sheet. Every time we went to church it was scary. The music would start playing, and then everybody would start running and shouting and hollering and screaming.
Ah!" I cried, springing up. "But no! no! My uncle shall never know it. He would insist upon doing it too. He would want to know all about it. Ropes could not hold him, such a determined geologist as he is! He would start, he would, in spite of everything and everybody, and he would take me with him, and we should never get back. No, never! never!" My over-excitement was beyond all description.
Where I grew up, we had light-skinned models but not dark. Every time I would talk about being a model with my friends, they would start laughing out loud.
I would get in fights a lot. My voice was so heavy, kids would say you sound like a boy, so I would start beating them up.
I was invited to L.A. when I was 16 for a weekend-long songwriting session by a writer I had met through my voice teacher in Pittsburgh. My first hit, 'Hide Away,' was one of the songs written during those sessions. It was played for a radio rep who then started a new label; the song got a pretty organic start at radio and then took off.
Talking to a therapist, I thought, was like taking your clothes off and then taking your skin off, and then having the other person say, "Would you mind opening up your rib cage so that we can start?
I would really want all my films to make money. But this weekend calculation is the most dangerous thing because, based on the amount collected in the first weekend, they start declaring the film a hit or a flop. It can't be.
Phil has always been a fighter. He was getting in fights all the time. I told him that if he ever hit me then I would leave the band. He wanted to find out if I was telling him the truth. He hit me so I left and that is how UFO split up.
And with each step my heart broke for the person I would never find, the person who'd love me. And then I would remember I had a wife at home who loved me, or later that my wife had left me and I was terrirfied, or again later that I had a beautiful alcoholic girlfriend who would make me happy forever. But every time I entered the place there were veiled faces promising everything and then clarifying quickly into the dull, the usual, looking up at me and making the same mistake.
It was like time would stop, and the dancer would sort of step through some kind of portal and he wasn't doing anything different than he had ever done, 1,000 nights before, but everything would align. And all of a sudden, he would no longer appear to be merely human. He would be lit from within, and lit from below and all lit up on fire with divinity. And when this happened, back then, people knew it for what it was, you know, they called it by it's name. They would put their hands together and they would start to chant, "Allah, Allah, Allah, God God, God." That's God, you know.
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