A Quote by Felipe Massa
Driving for Ferrari is completely different. Not in the way you work, the way of working is similar in whatever team you go - especially in the top teams. But it's different because it's like a religion.
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Because when you work with a different team, the expectations are different and then you deliver in a very different way. You look back at it and you're proud of yourself. And when the same people come in and you do the same thing, it's boring. You could re-envision it again and again but when the new chemistry of ideas comes in, something happens as a team.
There are more similarities than differences when it comes to preparation of a performance. You're using some lyrics, you have a relationship with them, they apply to different parts of your life and different circumstances, different memories, different stories you have in your head. You form personal relationships with the song. I think that's very similar, in a way, to prepping a character. You pour your own personality, in a sense, into the character, you sympathize with a character in a way that's similar to the way you might sympathize with a song.
My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.
Things have a behavior online, whereas in print, there is a single canonical expression for them, but online everything responds to different criteria or has inherent states to it based on that criteria. So, you have to design that in a different way. It's a completely different dynamic even though it may look similar.
Different styles work for different guys... If you can handle shortstop and hit, teams will find a way to pencil you into the lineup.
It's a completely different way of working when you have your own place for recording. It's like if you were a painter, and you do loads of painting, and you just pick which paintings you want to exhibit. It's a much nicer, freer way of making work; you're not limited to anything, and you can make these cool, weird little albums.
Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.
I like the 'Keystone Kops' storyline. It didn't actually go quite the way I wanted to, but it was another great way to show how different life was in these two different corners of the DCU, being on the ground in these different areas.
It was a completely different experience working on 'Chhichhore' with Nitesh sir. The way he narrates and the way he directs actors is completely unique. He has that rare quality of blending a great story with finely-etched characters and an underlying message.
I felt quite confident - when you come out of drama school you feel like you're on top of everything. I always tell people to go to drama school even if they've already done movies or whatever because the way you encounter content is so different.
Usually with something like 'The 100,' because you're working so much and every day, and they'll change the drafts quite quickly, we'll go through maybe, like, 12 different versions of the same scene over a week. So there is no point in learning it on a Tuesday when on a Thursday it might be completely different.
What I like to do as an actor is transform. It's way more fun to play characters who are completely different than me. I like playing characters who appear one way on the outside but are actually very different from that.
I won an MVP trophy with the St. Louis Amateur Baseball Association. I didn't even start. I was a sub on this team. This was, like, an All-Star game where we had athletes from different teams, different mixtures. We had, like, the only black team in the league, basically. We had four players go to the All-Star game.
I'm not someone who feels like I have to do it the same way. I never feel restricted. It all should grow out of different moments and if it goes completely different that's how it should go.
The main thing that's important to me is getting to do whatever project it is the way that I do what I do, and that's different. To go to an entity - whether it's a traditional film studio or some newer company, or HBO, Amazon or Netflix - they would have to know that I need to work the way I work.
Every day you are in the media for good or for bad and sometimes this is not helping the driver or the team to control the driver in the best way as well. But Ferrari is Ferrari and the biggest, most famous team in Formula One, so you have a lot more pressure there than at another team.
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