A Quote by Felix Baumgartner

One of the most exciting moments was standing out on top of the world, 30 seconds before stepping off. — © Felix Baumgartner
One of the most exciting moments was standing out on top of the world, 30 seconds before stepping off.
What I learned most was how to tell a story in 15 seconds or 30 seconds or 60 seconds - to have some kind of goal of what to try to do and make it happen in that time.
How can [actors] learn their lines and be honest in front of 30 people and all the lights? It makes me cry sometimes. I can't understand how they can be joking with me 30 seconds before, and 40 seconds later they're giving me all this incredible feeling.
There's nothing in the world like live entertainment. With TV, you have to wait for your results; with live entertainment, people let you know right then and there. That relationship is established in 30 seconds. The first 30 seconds, they'll let you know whether they like you or not.
When I was a teenager I would lock myself in the bathroom for hours, bouffanting my hair like Patty Duke and trying to recreate Barbra Streisand's flawless eyeliner, only to comb it all out and wash it all off before stepping out into the world a butchish bisexual teen.
You get into moods - like, if somebody does something to you, then you're angry for maybe 30 seconds, or maybe 30 years. I was always interested in capturing those awful, unflattering things that everybody goes through - those hot moments, captured in ice.
There are moments when you're stepping out of a really nice car on to a red carpet, and you feel inside like, 'This is quite nice,' but I'm never whisked off my feet.
What I am out to do is make sure that the Met continues to be the most exciting encyclopedic museum in the world. I want to sustain the vibrancy that makes it exciting to work here, that makes it exciting for visitors. The art remains central.
On social media people tend to show off, and post their most attractive picture, and moments that are most likely to give everyone else FOMO (Fear of Missing out). They rarely share the moments when they feel down, or when things have gone wrong and they need support.
In Moulin Rouge, Baz Luhrmann takes the most thrilling moments in a movie musical-the seconds before the actors are about to burst into song and dance, when every breath they take is heightened-and makes an entire picture of such pinnacles.
Zeroes are important. A million seconds ago was last week. A billion seconds ago, Richard Nixon resigned the presidency. A trillion seconds ago was 30,000 BC, and early humans were using stone tools.
Switch off reality TV! I've only ever been able watch about 30 seconds of it.
I don't know if I'd want to be a Secret Service agent. In the movies, it's exciting and romantic and all that. Really, most of their job is standing in a hallway for 12 hours making sure somebody doesn't come through a doorway off of a stairwell.
In the late '30's when I was in college, physics - and in particular, nuclear physics - was the most exciting field in the world.
A few times in my life I've had moments of absolute clarity, when for a few brief seconds the silence drowns out the noise and I can feel rather than think, and things seem so sharp. And the world seems so fresh as though it had all just come into existence. I can never make these moments last. I cling to them, but like everything, they fade. I have lived my life on these moments. They pull me back to the present, and I realize that everything is exactly the way it was meant to be.
The really wonderful moments of joy in this world are not the moments of self-satisfaction, but self-forgetfulness. Standing on the edge of the Grand Canyon and contemplating your own greatness is pathological. At such moments we are made for a magnificent joy that comes from outside ourselves.
Ask Osama bin Laden and the 22-out-of-30 top al-Qaida leaders who've been taken off the field whether I engage in appeasement. Or whoever is left out there, ask them about that.
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