A Quote by Felix Baumgartner
I always feel the danger because you might always be subject to an unexpected or emergency event.
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The public should always be notified as soon as possible in the event of a leak or other emergency at a nuclear facility.
I've always had a tendency to keep an emergency exit in a song. I can't remember ever writing a song that is completely and thoroughly depressing; there's always been a way out somehow. A sense of hope in song, regardless of the subject matter.
I'm always on the road, and I drive rental cars. Sometimes I don't know what's going on with the car, and I'll drive for ten miles with the emergency brake on. That doesn't say a lot for me, but it doesn't say a lot for the emergency brake. What kind of emergency is this? I need to not stop now. It's not really an emergency brake, it's an emergency make-the-car-smell-funny lever.
I've always been outwardly personal. I've always been that chick. A lot of my friends be like, 'TMI, Tiffany, TMI.' I just feel like it's important to share your experience on this Earth, because you never know who's watching, who might be going through the same thing, who might feel devastated.
When one plan that you have, to get this or to get that, to advance in the world, or whatever it might be, when that seems in danger of veering off the path you have set for it, you have your emergency plan ready. And in simple language what that emergency plan is, what you put into operation, is called worry. If you can worry you are occupied, and what an incredible human situation it is!
Elric knew that everything that existed had its opposite. In danger he might find peace. And yet, of course, in peace there was danger. Being an imperfect creature in an imperfect world he would always know paradox. And that was why in paradox there was always a kind of truth. That was why philosophers and soothsayers flourished. In a perfect world there would be no place for them. In an imperfect world the mysteries were always without solution and that was why there was always a great choice of solutions.
So many of my friends have always been women growing up... I always feel slightly more comfortable around women because with guys in general there's always more of a danger zone... it's very aggressive sometimes the way guys act with each other, putting each other down and calling each other names, so I was always too sensitive for that and used to hang out with the girls. And they were always really funny to me.
There's only one rule: The guy who trains the hardest, the most, wins. Period. Because you won't die. Even though you feel like you'll die, you don't actually die. Like when you're training, you can always do one more. Always. As tired as you might think you are, you can always, always do one more.
There's always elements of danger in New York but people are always out on the street. I don't feel scared there at all.
There's always elements of danger in New York, but people are always out on the street. I don't feel scared there at all.
The main event has never been the manifestation; the main event has always been the way you feel moment by moment, because that's what life is.
With 'Always Be My Maybe,' this has to be funny; this has to be entertaining. And then, when we stop for these moments with the characters that are emotional, you kind of feel it more because it's a little bit unexpected.
We feel more and more intensely about the music we make. It's unexpected, and not always what you would think of in Beach House. It's all art in the end. We aren't making records because we have to; it's because it's what we want to express.
The president and the executive branch are always going to have greater latitude and greater authority when it comes to protecting America because sometimes you just have to respond quickly and not everything that is a danger can be publicized and be subject to open debate, but there have to be some guardrails.
If I always appear prepared, it is because before entering an undertaking, I have meditated long and have foreseen what might occur. It is not genius which reveals to me suddenly and secretly what I should do in circumstances unexpected by others; it is thought and preparation
I think that one of the things is that, if you are going to decide to be a painter, you have got to decide that you are not going to be afraid of making a fool of yourself. I think another thing is to be able to find subjects which really absorb you to try and do. I feel that without a subject you automatically go back into decoration because you haven't got the subject which is always eating into you to bring it back - and the greatest art always returns you to the vulnerability of the human situation.
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