A Quote by Felix Dennis
With a poetry book I can send 100 copies out to reviewers and other people, and even do it in advance and get their response. It's difficult with iPad: how do you send it out for free, and how do you even disseminate it before it goes into their store?
Related Quotes
Everyone should write a book, if only to see
how much work goes into even the slight volume I send you.
I've always felt like a teacher. Whenever I've learned something important, my reaction has always been to tell everybody about it. I read a book, I buy 100 copies and I send them out.
You know what's fun? You pick somebody at random, like out of the phone book, and send them about 100 'Just Because' cards. They can't even ask you why you did it.
Essentially every scientist, when posed with the question, "If you want to get science knowledge from Mars, do you want to send a geologist or do you want to send a robot?" Well, the real answer is, you can send 100 robots for the price of sending one geologist, so let's send 100 robots to 100 different locations, and then we would all benefit. So that's the answer you would get. And I agree with that answer.
I used to send out emails to producers to collaborate and they'd give me nothing, not even a response. As soon as I started popping off, out they came!
When we wake up to the fact that our thoughts touch the people we are thinking about, we are again asked to choose which thoughts we send out. If we send out the thoughts of the heart, we can heal, even if the person who needs healing is far away.
My first retailer was Saks Fifth Avenue. I didn't even know how to ship a box to a retailer. Like, how do you pack it? How do you send it to make sure it gets on the floor? You figure it out as you go along.
I met some fans who said, 'Please start Twittering!' They even walked me through it, but I'm terrible at it. I'm so bad at keeping it up. I forget how to use it. And I'm not very savvy: I try to send a private message, and it goes out to everybody.
I usually tape about 99 percent of my auditions at my house. I have a camera and record myself, and my mom reads the other lines off-camera. Then I send it to my agent and manager, and they send it to the casting director, and we see how it goes from there.
Here am I, send me; send me to the ends of the earth; send me to the rough, the savage lost of the wilderness; send me from all that is called comfort on earth; send me even to death itself, if it be but in your service, and to promote your kingdom
For the multifold secret to work only one thing is necessary. You must take action. You must give. You must share. You must act with abandon. Send out waves of love and kindness into the world and then simply wait for the response. Or, better yet, continue to send out more waves. Why wait? The response will come. Keep sending waves and enjoy the reaction.
Marketing by interrupting people isn’t cost-effective anymore. You can’t afford to seek out people and send them unwanted marketing messages, in large groups, and hope that some will send you money. Instead, the future belongs to marketers who establish a foundation and process where interested people can market to each other. Ignite consumer networks and then get out of the way and let them talk.
This is his solution: He said all we need to do is take your tax dollars, send them to Washington, have Washington take out its cut, having Washington then send it back to the states, have the states then go out and hire public employees. Does that make sense to you? Is that how to get the economy moving?
If you want to send a manuscript, send it to an agent. And send a letter first, asking permission. Launch it into the real world of cold-blooded commercial response, not into the fantasyland of wishful thinking, cowardice and surrender to Resistance.
I have friends in prison. I send them money. I send them food. They say, 'Bro, get me out of here.' There's nothing I can do. They're five years in on a 20-year sentence. They went in at 16, they'll get out at 36. That's a lifetime.
I'm one of a dying breed who goes out and tours all the time. Labels don't spend the money to send people out to play before they become famous, but we did do that so the fans we have are word of mouth fans who have been travelling around with us for years, and they buy the albums, but they are also the ones who go out and get the bootlegs. I don't discourage bootlegging, I like playing live, I don't think it hurts my album sales at all if there are bootlegs out there. Who cares?
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