A Quote by Felix Dennis

When I was young, I wanted to be the greatest blues singer of all time. I wrecked my education and left home for it. — © Felix Dennis
When I was young, I wanted to be the greatest blues singer of all time. I wrecked my education and left home for it.
When I was young I wanted to be the greatest blues singer of all time. I wrecked my education and left home for it.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
I'm not a jazz singer, blues singer or country singer. I'm a singer that can sing rhythm & blues, that can sing jazz, that can sing country. There's a big difference. In other words, I'm not a specialist.
The Greatest Blues Singer in the World Will Never Stop Singing.
I was a young folk singer, or wanted to be. I really wanted to be a New England folk singer, but they never would accept me. I was always hard to categorize, and people wouldn't know what to make of it.
You've heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain't never heard me call myself a blues guitar man. Well, that's because there's been so many can do it better'n I can, play the blues better'n me. I think a lot of them have told me things, taught me things.
I wanted to be a blues guitar player. And a singer. And a songwriter. Not a shock jock.
As a young singer, a record company wanted me to be a rock singer. I told them I couldn't because I didn't understand the music.
There are happy blues, sad blues, lonesome blues, red-hot blues, mad blues, and loving blues. Blues is a testimony to the fullness of life.
I was going to be a singer. If I hadn't been in my profession, I was going to be an Opera singer. That's from a young kid. I had all these records from all those famous Opera singers. I wanted to be an Opera singer - that was my whole thing and physical fitness got in the way, thank God.
I had the one thing you need to be a blues singer, I was born with the blues.
When I was very young I wanted to be a professional horseback rider. Then I wanted to be a pop singer. Then I wanted to be a psychiatrist. Then I wanted to be a movie director.
After my early days of being a passionate young Elvis fan, Chuck Berry, Little Richard, etc. I got interested in Ray Charles and Ella Fitzgerald. Then I got turned on to the blues. I realized how important it was to our music in England at the time. Everyone was into the blues. Then you start looking at the different kinds of blues, and you follow the journey backwards from Chicago to earlier times back down to the Delta to the Memphis Blues.
I didn't have the greatest equipment or the greatest facilities. I would see people with new shoes and better cars. I knew what I wanted and what I had to do to get what I wanted. I became a very Spartan person at a young age because of that.
I trained as a singer before I was an actor. I was a kid singer, I went to theater and choir school, and then I got music scholarships throughout my education. And that's what I was going to do. And then I took a left turn and went to drama school and became an actor.
I really thought I wanted to be a musical-comedy star, but I lived in Phoenix and didn't want to go all the way to New York and be that far away from home. So I thought maybe I'd be a rock 'n' roll singer or an opera singer.
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