A Quote by Felix Mendelssohn

First and foremost an artist should pay homage to grandness, honour and bow to it, and not try to extinguish the fierce flames of such, in an attempt to have his own feeble light shine brighter. When one isn't able to acknowledge greatness, I would really want to know how he endeavours to make me experience it.
And do you agree with me, that the first condition of an artist should be to bear respect toward what is great, and to bow to it and acknowledge it and not attempt to extinguish great flames for the sake of making his own rushlight burn more brightly?
Each person shines with his or her own light. No two flames are alike. There are big flames and little flames, flames of every color. Some people’s flames are so still they don’t even flicker in the wind, while others have wild flames that fill the air with sparks. Some foolish flames neither burn nor shed light, but others blaze with life so fiercely that you can’t look at them without blinking, and if you approach you shine in the fire.
I definitely wanted to pay homage to what he did and use his performance in the first one as a foundation. But, I had to make it my own. I couldn't sit there and try to imitate Michael Clarke Duncan. I think that would have been disastrous. I had to make it my own. I tried to take as many nuances that he had with the character and utilize them as best I could, while creating a character that was unique to me. That's going to happen, no matter what.
It's easy to pretend 'to be fierce and fearless because living your truth takes real courage. Real fearless and fierce women admit mistakes and they work to correct them. We stand up and we use our voices for things other than self promotion. We don't stand by and let racism and sexism and homophobia run rapid on our watch. Real fearless and fierce women complement other women and we recognize and embrace that their shine in no way diminishes our light and that it actually makes our light shine brighter.
If God said, 'Rumi pay homage to everything that has helped you enter my arms,' there would not be one experience of my life, not one thought, not one feeling, nor any act, I would not bow to.
When I use a name or place, I want to leave the reader open to the waterfall of determinacy that it may provoke. And I don't know, but I must mention the name Borges. I try to mention it in every one of my works. It's a mark, a stamp, a sort of homage to Argentinidad. But it's an homage that works through pat phrases, those stock images that populate his work: the night, labyrinths, libraries. That is, I don't want simply to pay homage to Borges, but rather the contrary: to recall his commonplaces.
I don't know, I really try not to pay attention to comparisons, 'cause I'm my own artist. I try to build my own sound.
When I meet someone, I look at their eyes and their smile and seek out the good first - it's easy to find when you're looking for it. You let a person shine with their own light and try to connect it to yours. As soon as I say hello, I go right to that light and I don't care who you are! I know we're all pieces of the same thing - I go for that common light because I know it's in all of us.
Me? Beautiful? I'm plain as cardboard. That may be how you see yourself, but the rest of the world would be hard to agree. You shine brighter than the Milky Way. Now there are those who might try to take that from you, but you don't have to give it away. Keep on shining Pattyn. And when the right young man comes along, he'll love you all the more for giftin' this sad planet with your light.
I was woundering what he would say, what word could sum me up right then, when i saw the lights come across his face, blaringly yellow, and suddenly he was brighter, and brighter, and i asked him what was happening, what was wrong. I remember only that light, so strong it spilled across my shoulders, and lit up his face, and how scared he looked as something big and loud hit my door, sending glass shattering across me, little sparks catching the light like diamonds, as they fell, with me, into the dark.
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."
In a song you can shine a light on a topic and with your voice at a concert you can shine a light on an actual issue or a person, you can acknowledge whatever you like with music and people will listen.
I want to emphasize the fact that we all have the same experience and the same concern, but the artist must know exactly what the experience is. He must pursue the truth relentlessly. Once he sees this fact his feet are on the path. If you want to know the truth you will know it. The manipulation of materials in an artwork is a result of this state of mind. The artist works by awareness of his own state of mind.
I make films for myself, first and foremost, just because it is such a personal experience, and it's something I really have to want to do and feel connected to.
Artists don't really want to be marginalized. They believe that everybody should be able to appreciate the experience that an artist gives them, an experience that connects us to each other in a deep way.
The new pope knows that his task is to make the light of Christ shine before men and women of world - not his own light, but that of Christ.
This site uses cookies to ensure you get the best experience. More info...
Got it!