A Quote by Felix Mendelssohn

These seem to me so ambiguous, so vague, so easily misunderstood in comparison to genuine music, which fills the soul with a thousand things better than words. — © Felix Mendelssohn
These seem to me so ambiguous, so vague, so easily misunderstood in comparison to genuine music, which fills the soul with a thousand things better than words.
These, too, seem to me so ambiguous, so vague, so easily misunderstood in comparison to genuine music, which fills the soul with a thousand things better than words.
The process of philosophizing, to my mind, consists mainly in passing from those obvious, vague, ambiguous things, that we feel quite sure of, to something precise, clear, definite, which by reflection and analysis we find is involved in the vague thing that we start from, and is, so to speak, the real truth of which that vague thing is a sort of shadow.
Better than a thousand hollow words Is one word that brings peace. Better than a thousand hollow verses Is one verse that brings peace. Better than a hundred hollow lines Is one line of the dharma, bringing peace. It is better to conquer yourself Than to win a thousand battles. Then the victory is yours. It cannot be taken from you, Not by angels or by demons, Heaven or hell.
Music fills in for words a lot of the time when people don't know what to say, and I think music can be more eloquent than words.
People usually complain that music is so ambiguous, and what they are supposed to think when they hear it is so unclear, while words are understood by everyone. But for me it is exactly the opposite...what the music I love expresses to me are thoughts not to indefinite for words, but rather too definite.
I love you," she whispered. Richard pulled her tight against him. His fingers traced a trail down the bumps of her spine. "I feel so frustrated that there aren't any better words than "I love you,"" he said. "It doesn't seem enough for the way I feel about you. I'm sorry there aren't any better words to tell you." "They are words enough for me." "Then, I love you, Kahlan. A thousand times, a million times, I love you. Forever.
One of the things that personally kept me in music was that it has always been my passion,my vision and change. No matter how far I may think I can go without it, it always tend to slap me right back in the face! So why not do what naturally fills your soul. Music completes me.
Too many poets write poems which are only difficult on the surface, difficult because the dramatic situation is easily misunderstood. It's not difficult to write poems that are misunderstood. A drunk, a three-year-old-they are easily misunderstood. What is difficult is being clear and mysterious at the same time. The dramatic situation needs to be as clear in a poem as it is in a piece of good journalism. The why is part of the mystery, but the who, what, where, and when should all be understood.
Music makes me forget my real situation. It transports me into a state which is not my own. Under the influence of music I really seem to feel what I do not feel, to understand what I do not understand, to have powers which I cannot have. Music seems to me to act like yawning or laughter; I have no desire to sleep, but I yawn when I see others yawn; with no reason to laugh, I laugh when I hear others laugh. And music transports me immediately into the condition of soul in which he who wrote the music found himself at that time. ~The Kreutzer Sonata
Better than a meaningless story of a thousand words is a single word of deep meaning which, when heard, produces peace.
People often complain that music is too ambiguous, that what they should think when they hear it is so unclear, whereas everyone understands words. With me, it is exactly the opposite, and not only with regard to an entire speech but also with individual words.
Vocals are not central to what I do, and I've never liked singing live. I've always been more inspired by rhythm, texture, harmony than vocal melodies and lyrics. Plus, for me, I can better express my musical ideas through instrumental music than vocal music, the emotional interpretation of which can easily supersede the actual musical content or aim.
A limited vocabulary, but one with which you can make numerous combinations, is better than thirty thousand words that only hamper the action of the mind.
All things are inconstant except the faith in the soul, which changes all things and fills their inconstancy with light.
The film is ambiguous, an ambiguity that reflects on Japan today, and a world in which nothing is clear. Once I made the film [Takeshis'], I realized it was about this feeling of vague disquiet in Japan and in the rest of the world, a feeling that is gaining on us, getting less vague.
But I do enjoy words—some words for their own sake! Words like river, and dawn, and daylight, and time. These words seem much richer than our experiences of the things they represent—
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