I hope Hong Kong and Asia wants to hire American Asian actresses as much as Hollywood has been hiring Chinese actors from Asia.
I always feel like people misunderstand the difference between an Asian story and an Asian-American story. That's completely different, too. I have friends who grew up in Asia, and our experiences are so different. Even though we might look the same, I feel like being Asian and then being Asian-American is completely different.
I'm definitely more Asian than a lot of people who have never been to Asia. But by blood and by race, they instantly say I deserve to be Asian. I've worked really hard to be Asian, and I think I'm Asian enough.
The March on Washington was a March for Jobs and Freedom. There are still too many people who are unemployed or underemployed in America - they're black, white, Latino, Native American and Asian American.
With an award like the Asian Film Awards, we've sent a message saying that 'Asian Cinema is here, it matters, and more importantly, we are all part of the same fraternity!' The AFA is truly, then, an award for Asia, by Asia.
Today, with America being a beleaguered global power, in part because of its own mistakes, it is absolutely essential that the American democracy refocuses its concerns towards global issues and does not approach its own specific problems on the basis of, to some extend, self-induced fear.
I've lived 16, 17 years of my life in Asia, and that's most of my life. I was born in Asia - I've lived cultures that are synonymous with Asian culture - but it's still not Asian enough for some people.
America must realize, there are conditions she must accept in Asia. The first is a diversity of Asian cultures, governments, economic and political systems; the second, that to run against the tide of Asian nationalism is worse than impractical - it is also highly dangerous.
The principles that should guide American foreign policy are simple: the world is safer when America leads, only strength ensures peace and freedom, and America must stand with its allies and challenge its adversaries.
Asia is the continent rhythm forgot. At best Asian music is off-brand American pop, like Sonny Bono in a karaoke bar. At worst Asian music sounds as if a truck full of wind chimes collided
with a stack of empty oil drums during a birdcall contest.
I want to challenge myself to see where my limit is and experiment with a lot of different films. A lot of artists from Asia focus too much on their Asian background. I don't want to let go of my background, but to be a success in the U.S., which is my goal, I realize I need to surround myself with American filmmakers and producers.
Growing up as an Asian American in this society, there were a lot of times where you feel isolated or out of place as an Asian. And growing up in White America, that's absolutely my experience. And I think that's why I got into acting because I wanted to be anybody else but Asian.
The dominant type of humor in the '60s was essentially defensive and self-deprecating, using humor as a shield.
The challenge for Muslims in America is to respect the fears of ordinary people while resisting the exploitation of those fears by political parties, lobbies and sectors of the media. To meet this challenge, Muslims must reassess their own involvement, behavior and contributions in American society.
The state or global forms of power that seek to protect populations considered in danger may well extend their own power through those acts of protection.
As an Asian-American actor, I believe it is important to never settle for the status quo. I feel a responsibility to do everything in my power to create positive perceptions of Asian Americans through my work.