A Quote by Fernando Botero
The richness of an artist is the fusion of influences that have shaped his life and work.
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The background of any artist is shaped by the first 15 years of his or her life.
I think for me, fusion is a word that describes a positive, collaborative combination of different styles. Every kind of new music was created by a fusion of different styles because to move on and find something new you have to allow all the influences within yourself a voice.
How should an artist begin to do his work as an artist? I would insist that he begin his work as an artist by setting out to make a work of art.
One way to appreciate C.S. Lewis is to see how his Christian humility shaped his life and work.
Any creation of art is conceived and born under influences, amidst the atmosphere of reverie and the most customary volition of the artist. It is there, in any case, that his work arises from.
My holy grail is fusion energy. Nuclear fusion has little to no radioactive waste. It's clean. It's very abundant. The fuels are everywhere. There are problems with fusion.
It has always been my belief that the true artist, like the true scientist, is a researcher using materials and techniques to dig into the truth and meaning of the world in which he himself lives; and what he creates, or better perhaps, brings back, are the objective results of his explorations. The measure of his talent--of his genius, if you will--is the richness he finds in such a life's voyage of discovery and the effectiveness with which he is able to embody it through his chosen medium.
However diligent she may be, however dedicated, no mother can escape the larger influences of culture, biology, fate . . . until we can actually live in a society where mothers and children genuinely matter, ours is an essentially powerless responsibility. Mothers carry out most of the work orders, but most of the rules governing our lives are shaped by outside influences.
Every artist is in everything he creates, and indeed if the truth is told, every person is in his life, in his work, whatever his work may be, and this is visible in his face, figure, stance, movement, and totality.
Too often in the past, we have thought of the artist as an idler and dilettante and of the lover of arts as somehow sissy and effete. We have done both an injustice. The life of the artist is, in relation to his work, stern and lonely. He has labored hard, often amid deprivation, to perfect his skill. He has turned aside from quick success in order to strip his vision of everything secondary or cheapening. His working life is marked by intense application and intense discipline.
My work is a fusion of personal experiences and influences - moody atmospheres, victorian-inspired couture, and timeless elements all laced with clandestine symbolism. The figures I paint exist in their own esoteric realm and time, and each painting offers a glimpse into their anomalous world.
The sad thing is that somehow, it is a type of event that mirrors the artist. You take it into account, and you're reminded in this specific case what the artist's work is about, what his life is like, and how life mirrors art.
The artist seeks contact with his intuitive sense of the gods, but in order to create his work, he cannot stay in this seductive and incorporeal realm. He must return to the material world in order to do his work. It's the artist's responsibility to balance mystical communication and the labor of creation.
Even if major funding is obtained for cold fusion, conceivably the phenomenon could suffer from problems as intractable as those of hot fusion. It may never work reliably or generate enough energy to be commercially viable.
The artist never really has any control over the impact of his work. If he starts thinking about the impact of his work, then he becomes a lesser artist.
You are, in fact, a mashup of what you choose to let into your life. You are the sum of your influences. The German writer Goethe said, "We are shaped and fashioned by what we love."
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