A Quote by Fernando Botero

You paint what you know best; what you went through as a teenager and child. My world is the one I got to know in Medellin; I never paint anything else other than that. — © Fernando Botero
You paint what you know best; what you went through as a teenager and child. My world is the one I got to know in Medellin; I never paint anything else other than that.
I paint my own reality. The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
The only thing I know is that I paint because I need to, and I paint whatever passes through my head without any other consideration.
I think we're in an age where artists really have an incredible range of materials at their command now. They can use almost anything from household items - Jackson Pollock used house paint - to, you know, advanced computer systems, to good old oil paint and acrylic paint.
Speaking for myself, art differs from writing in that I never know what I'm going to paint until I paint it, so it's almost like automatic writing. A writer, on the other hand, can't help but know what he's going to write, because the activity demands a degree of premeditation.
There comes a point when the paint doesn't feel like paint. I don't know why. Some mysterious thing happens. I think you have all experienced it... What counts is that the paint should really disappear, otherwise it's craft.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
Someone has asked me to paint Biblical pictures, and I say no, I'll not paint something that we know nothing about, might just as well paint something that will happen two thousand years hence.
Know what you're trying to do before you do it. Turning knobs at random isn't enlightening any more than throwing paint at a wall blindfolded will let you paint a nice picture.
You can never judge a paint hue by the liquid color in the paint pot. You must apply it to a wall, wait for the paint to dry, then decide.
The old, sad art colors are gone. Now I paint bright colors. I paint paintings which are happy, where children are laughing and playing with animals. I paint paradise on Earth. I still paint sadness sometimes, but there is sadness in the world, too.
Painters paint outdoors, or in rooms full of people; they paint their lovers, alone, naked; they paint and eat; they paint and listen to the radio. It is a soothing way of doing your job.
I paint on the ground. I paint with sticks, with big paint cans, and whatever else falls in it. Basically, what I'm doing is capturing unbridled emotion and putting it on canvas. It's like capturing lightning in a bottle.
Some paint comes across directly onto the nervous system and other paint tells you the story in a long diatribe through the brain.
I know I can not paint a flower, I can not paint the sun on the desert on a bright summer morning but maybe in terms of paint colour I can convey to you my experience of the flower or the experience that makes the flower of significance to me at that particular time.
It's a privilege, you know, to paint and it takes up a lot of time and it means there's a lot of things you don't do. But still, with me, painting was more than a profession, it was also an obsession. I had to paint.
I'm a sworn enemy of convention. I despite the conventional in anything, even the arts. I paint canvasses on the floor and drove one art teacher out of his mind. But that's just the way I paint best.
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