A Quote by Fernando Perez
There was a time when emigration from Cuba was a definitive separation. There were no visits. In the '80s, '90s, it was incredibly difficult. I'm not the only one interested in this as a filmmaker - other Cuban filmmakers have dealt with it, too, because it's such a part of our reality.
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The '90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the '90s than they were in the '80s. The '90s was Ecstasy, the '80s was yuppies. There was that whole Ecstasy culture. People were having a pretty good time in the '90s.
I'm simply asking that people who arrive from Cuba receive the same treatment as any other immigrant who comes from another country. The only difference, obviously, is that the Cuban Adjustment Act will remain in effect, that a Cuban who arrives today from Cuba may remain in the U.S.
They're willing to accept changes on the part of the U.S. that contribute to more money entering Cuba so they can benefit. But in terms of political changes on the island, an opening, etc., that won't happen, that won't change, and I've always said that, from the beginning. I've even said that it doesn't matter how many tourists who to Cuba, how many times the President visits Cuba; there won't be any changes in the Cuban government's posture. And that is the same as always.
Let's be honest: The trade embargo with Cuba hasn't secured our interests or helped the Cuban people. Because the way to promote positive change and better human rights in Cuba is through engagement, not isolation.
A criminal pipeline from Cuba to Florida threatens U.S. national security interests with Cuban migrants exploiting U.S. law, stealing from the American taxpayer, and paying the Cuban government to live large off the cash in Cuba.
I'm still very interested in the things that happened in the '80s and the '70s because I think that they were very important years for Nigeria. In the '80s, we were under a military dictatorship for quite a while, and I think that the way we engage with our country as citizens was shaped in many ways by the events that took place in that time.
Faith leaders, young people, American companies, human rights advocates, and many others have demonstrated a unique interest in our Cuba policy. But no community cares more deeply about these issues than Cuban Americans - young and old - who have maintained a profound interest in Cuba and an abiding faith in the Cuban people.
Comandante Fidel Castro loves Cuba! But his love for humanity, if you'll pardon the expression, trumped his love for Cuba: He was universal; he was an internationalist, and he put that spirit in the hearts and minds of the Cuban people through the Cuban Revolution.
The '80s and '90s were the greatest time to be a makeup artist.
I think the press mistakenly thought that all of these 'mumblecore' filmmakers were banded together in a similar ideology, but the truth is that we were all just using the same digital camera and helping each other make our movies because we were broke, and we were the only idiots willing to do it.
Coming up in America in the '80s and '90s, we were not too far removed from slavery. People forget that.
Cuba is actually one where I am more optimistic because of the unique nature of Cuba - 90 miles off our shore with a massive ex-patriot population, now Cuban-American population that still have deep links to the island. There I am more confident that over time that the winds of commerce and telecommunication and travel start shifting the nature of that regime. But that's a small country which has almost a unique relationship to us.
I have been to Cuba many times. I have spoken many times with Fidel Castro and got to know Commander Ernesto Guevara well enough. I know Cuba's leaders and their struggle. It has been difficult to overcome the blockade. But the reality in Cuba is very different from that in Chile. Cuba came from a dictatorship, and I arrived at the presidency after being senator for 25 years.
To pretend like Hollywood is anything other than that is disingenuous. #OscarsSoWhite is trendy, but for women filmmakers and filmmakers of color, it's not a trend. This is our reality, and it's important that we do something to change it.
I'd love to be a filmmaker and look back and be like, 'Ah, man, we were part of that whole '80s video nasty thing!'
I miss friends and family. If it weren't for visits from old friends and other African Americans I meet who come to Cuba, I'd probably be in some kind of time warp.
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