A Quote by Fernando Pessoa

There are metaphors more real than the people who walk in the street. — © Fernando Pessoa
There are metaphors more real than the people who walk in the street.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
The people on Wall Street broke this country, and they did it one lousy mortgage at a time. It happened more than three years ago, and there has been no real accountability, and there has been no real effort to fix it.
Sometimes I walk down the street and hear people whisper 'that's Tricky' and I look back, and I see them looking back, then that affects everything I do - the way I walk the way I talk. It stops you being real.
A walk down 14th street is more amazing than any masterpiece of art.
Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors.
Everything that's happening in our world is a function of what is going on inside of people. We are violent in our minds. We are violent with one another. We walk past one another in the street and don't even look nor make eye contact - don't speak. We can be outraged about the missiles and the planes. I'm more outraged that somebody will walk past me in the street and not look me in the face and say good morning.
I don't think I could walk down the street wearing bubbles or a dress made of ham. What Lady GaGa has done has been kind of amazing. I am the opposite. I wear clothes I would wear on the street. I'm all about a real look.
You can't really appreciate anonymity until you've lost it. People say that's sour grapes, but it really isn't To be able to walk down the street without people paying attention to you is a real blessing and you lose it when you become an actor.
Teller and I worked Renaissance Festivals and street performing - actually more real, no kidding around, Philadelphia street performing than we did Renaissance Festivals.
Metaphors hide in plain sight, and their influence is largely unconscious. We should mind our metaphors, though, because metaphors make up our minds.
I'm not a hermit, but I definitely stay in a lot more than I used to. There's more attention now then there ever was. You walk down the street with someone and it's a story. It becomes national news, you know what I mean? So, I still do things, but I stay home a lot more.
I walk out my front door in New York and I'm out on the street and there are people everywhere. L.A. is so much more spread out, so it's really easy in L.A. to have a little more isolation and to just not see as many people.
I have always loved to sit in ferry and railroad stations and watch the people, to walk on crowded streets, just walk along among the people, and see their faces, to be among people on street cars and trains and boats.
Men who are offenders of street harassment and women who experience street harassment can walk by and feel something about it, because it's out there in the environment where the harassment actually happens. So it's a lot more powerful than an oil painting that's stuck in a gallery or under my bed or in my studio where only a couple of eyes are going to see it, as opposed to it being in an environment where it could possibly effect a change.
I think the large part of the function of the Internet is it is archival. It's unreliable to the extent that word on the street is unreliable. It's no more unreliable than that. You can find the truth on the street if you work at it. I don't think of the Internet or the virtual as being inherently inferior to the so-called real.
There is nothing more painful to me at this stage in my life than to walk down the street and hear footsteps... then look around and see somebody white and feel relieved.
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