A Quote by Fernando Pessoa
I'd like to be in the country so that I'd could like being in the city.
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I fell in love with New York. It was like every human being, like any relationship. When I was a young New Yorker, it was one city. When I was a grown man, it was another city. I worked with many dance organizations and many wonderful people. In the '90s, it became kind of a hard and unwelcoming city in many ways. It became conservative, like the whole country.
When I'm doing a store in a country, I always like to consider the concept of the country and the city. Ask what are the clothes of the city, what does this city represent for me?
Being in Marin City was like a small town so it taught me to be more [straightforward] with my style. Instead of of being so metaphorical with the rhyme, I was encouraged to go straight at it and hit it dead on and not waste time trying to cover thingsIn Marin City it seemed like things were real country. Everything was straightforward. Poverty was straightforward.
I could go to Oxford, I could immerse myself in a new culture, I could develop my intellectual capital, I could expand my network, I can travel from country to country like it's state to state, and being in that fraternity of Rhodes Scholars was just a truly special demarcation.
Imagine a city where graffiti wasn't illegal, a city where everybody could draw whatever they liked. Where every street was awash with a million colours and little phrases. Where standing at a bus stop was never boring. A city that felt like a party where everyone was invited, not just the estate agents and barons of big business. Imagine a city like that and stop leaning against the wall - it's wet.
He worked like hell in the country so he could live in the city, where he worked like hell so he could live in the country.
Oh, I like New York City. It's like my country. The people have good energy, good atmosphere. It's just work, work, work. Everyone is working. It's a lot like my country.
In a few hours one could cover that incalculable distance; from the winter country and homely neighbours, to the city where the air trembled like a tuning-fork with unimaginable possibilities.
When I'm doing a store in a country, I always like to consider the concept of the country and the city.
You're going to see crime levels in America that are going to rival that of a Third World country. Welcome Mexico City. You're going to start seeing people being kidnapped in this country like they do in other underdeveloping nations. It's going to be very violent in America.
I like living in the city, but I like being able to get out of it as and when I like.
I don't really think there's a genre that we couldn't do, but it wouldn't sound like that genre, if that makes sense. I think we could take any song, but it would sound like us. If you're doing a country song, it could maybe sound a little bit country, but it's going to sound like Pentatonix.
I like being New Orleans. Different aspects. You have the lake house. You have a huge, almost plantation-style house, so I like the different elements of the city and what the city has to offer and putting it on the screen.
It is nothing short of baffling to me how a city like Melbourne, where I struggle to find accessible facilities on a very regular basis, could be considered the most livable city in the world. I suppose it all depends on what makes a city 'livable' for you.
Delhi is a very maligned city, and deservedly so. Yet there's something about it. It's a secret city, it doesn't hang out its wares. It's like a very deep river. Floating right up on top are the institutions of contemporary power: government, politics, media, and then there's the bureaucracy, the diplomatic missions. But it's also the city of intellectual debate, of protest, it's the city where people from all over the country converge to express their anger. And then, underneath all that, there's this crumbling, ancient city, a confluence of so much history.
I fell in love with New York. It was like every human being, like any relationship. When I was a young New Yorker, it was one city. When I was a grown man, it was another city. I worked with many dance organizations and many wonderful people.
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