A Quote by Fernando Pessoa

I never cared about whatever tragic event happened in China. It's faraway decoration, even if in blood and plague. — © Fernando Pessoa
I never cared about whatever tragic event happened in China. It's faraway decoration, even if in blood and plague.
Of course I have the license to make up things, but I think a lot of what's written about China is misleading, and most Americans don't know much about China, in-depth, even though China is such a crucial business partner, rival, whatever.
I think that all art is socially conscious. There is no alternative. Whatever we produce contains a political and social statement. There's no way to avoid that, unless it is pure decoration. But even pure decoration has also some value because you can read pure decoration as a way to ignore the reality that is around us, saying, "Well, I'm not interested. I just like to paint this wall blue.
Like, I have had moments, which I think most people have, where you'll be watching TV, and it'll be interrupted by some tragic event, and you'll actually find yourself thinking, 'I don't want to hear about this train being derailed! What happened to 'The Flintstones?'
Like, I have had moments, which I think most people have, where you'll be watching TV, and it'll be interrupted by some tragic event, and you'll actually find yourself thinking, 'I don't want to hear about this train being derailed! What happened to 'The Flintstones'?'
My grandmother knew nothing about sports. She still didn't even when I went to the NBA. She never really cared too much about sports. She only cared about me being a good person.
AIDS was allowed to happen. It is a plague that need not have happened. It is a plague that could have been contained from the very beginning.
Love happened. She would have never thought that it could happen so rapidly. Love was something you worked at, and she had no doubt their relationship would take a lot of hard work and dedication. But it had simply happened. No explanation. No cataclysmic event or earth-shattering revelation brought on by some external event. It had simply happened.
A non-event ... is better to write about than an event, because with a non-event you can make up the meaning yourself, it means whatever you say it means.
Many people resented my impatience and honesty, but I never cared about acceptance as much as I cared about respect.
I remember thinking Democrats and liberals were the good guys. They cared about the little guy. They cared about poor people. They cared about minorities.
Even in this case, whatever it is, it's about [Barack] Obama. "How did Obama do at the memorial? Did Obama come off well? Will Obama's poll numbers go up? Did he really reach people?" The hell that there are 53 people dead. Nobody cares about them, like nobody cared about the four dead in Benghazi. All the media cared about, how did Obama do?
I never cared about acceptance as much as I cared about respect.
There's no way to reconstruct reality. It happened once. What you do is reinterpret and recreate. Even if you have the person who lived it and did it next to you, the event happened just once.
I had to fight hard against loneliness, abuse, and the knowledge that any mistakes I made would be magnified because I was the only black man out there... I never cared about acceptance as much as I cared about respect.
You did what you were told or you didn't get paid, and if things went wrong it wasn't your problem. It was the fault of whatever idiot has accepted this message for sending in the first place. No one cared about you, and everyone at headquarters was an idiot. It wasn't your fault, no one listened to you. Headquarters had even started an Employee of the Month scheme to show how much they cared. That was how much they didn't care.
What's the classical moment that every actor or actress deals with? A tragic thing. They get that blank, faraway look in their eyes. But in life, it's not that way.
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