A Quote by Fernando Pessoa
At first I felt dizzy - not with the kind of dizziness that makes the body reel but the kind that's like a dead emptiness in the brain, an instinctive awareness of the void.
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I felt totally myself, nothing like the emptiness and horrible feeling I had then [pulling out the Olympics] - no dizziness.
In training, I felt like my body would switch one way, but my leg would kind of stay in one direction. So I kind of felt like it wasn't stable.
The capacity of the mind is broad and huge, like the vast sky. Do not sit with a mind fixed on emptiness. If you do, you will fall into a neutral kind of emptiness. Emptiness includes the sun, moon, stars, and planets, the great earth, mountains and rivers, all trees and grasses, bad people and good people, bad things and good things, heaven and hell; they are all in the midst of emptiness. The emptiness of human nature is also like this.
Well, it seems to me that there are books that tell stories, and then there are books that tell truths... The first kind, they show you life like you want it to be. With villains getting what they deserve and the hero seeing what a fool he's been and marrying the heroine and happy endings and all that... But the second kind, they show you life more like it is... The first kind makes you cheerful and contented, but the second kind shakes you up.
And Supernatural, in fact, going there wasit felt like a place where I had to actually, um, learn to be kind of manly. I felt like I had to kind of change my, like, way of speaking for a little bit, just to kind of fit in, oddly enough. Which was weird.
The first thing you discover is a kind of emptiness, a silence, a presence which doesn't seem to have content to it, like looking up at a limitless sky. That boundary-less place inside you is your own consciousness, your awareness. When you relax into it, you realize that it's also full - it is everything. You realize this presence is what you really are: Love.
I wrote them kind of consecutively, starting with 'Holy,' and then '1950,' 'Talia,' 'Upper West Side,' 'Make My Bed,' and I was kind of like, 'This is it.' It felt right. It felt complete. It felt like a sentence. I really enjoyed making it.
I feel very short-attention span for like accomplishment. It's like 'oh that felt really good' and then it's kind of like an immediate emptiness of I need to make something else - I don't like to dwell on things too long.
When I did my first film I kind of fell into it. I got cast in this movie called 2:37... the director, Murali K Thalluri, basically saw me and said: "I'm going to put you in this movie." And that week I felt like a void had been filled. I was so in my element. I was thrown in at the deep end.
He felt as if his heart had dried up. I needed her he thought. I needed someone like her to fill the void inside me. But I wasn’t able to fill the void inside her. Until the bitter end, the emptiness inside her was hers alone.
What do you mean, 'playing really creatively'? Can you give me an example?" "Hmm, let's see ... you send the music deep enough into your heart so that it makes your body undergo a kind of a physical shift, and simultaneously the listener's body also undergoes the same kind of physical shift. It's giving birth to that kind of shared state. Probably.
Men should not labor foolishly like brutes, but the brain and the body should always, or as much as possible, work and rest together, and then the work will be of such a kind that when the body is hungry the brain will be hungry also, and the same food will suffice for both; otherwise the food which repairs the waste energy of the overwrought body will oppress the sedentary brain, and the degenerate scholar will come to esteem all food vulgar, and all getting a living drudgery.
I'm not really one of those people who goes and writes some big back story and agonizes over characters. I think you kind of can get it. For me personally, it's just kind of more instinctive. But I don't have kind of an acting background. I fell into it accidentally.
You forget everything that happened with the first one. Like, at first, I was like, 'How do I swaddle a baby again? Can I hold her like this?' It's like your brain is kind of melting. When you're in the hospital, you're like, 'They really shouldn't let us go home yet.'
When I first played '1234' it was on stage in San Francisco at some kind of, like, sticky-floored club. And it felt like a punk song. I mean it's ridiculous to say that now, but it had that kind of, like, piercing straight melody. And then this fist-pumping ending, you know that pa-dap-pada.
I loved him in a way that you can really only do the first time around. It's the kind of love that doesn't know better and doesn't want to-it's dizzy and foolish and fierce. That kind of love is really a one-time-only thing.
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