A Quote by Fernando Torres
The worst part about not playing is when you think that you are ready to do it. You try to get more minutes, taking the chances, but you end up in a situation where things have not gone well for you for weeks - or for years. That is like swimming wet clothes.
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After playing with Rob Zombie, I was ready to go, 'OK, this is as far as I'm taking this bass-playing thing. This is the end of the road.' I was ready to kind of hang it up.
The most important thing to remember about depression is this: you do not get the time back. It is not tacked on at the end of your life to make up for the disaster years. Whatever time is eaten by a depression is gone forever. The minutes that are ticking by as you experience the illness are minutes you will not know again.
I think the goal is to make a well written scene seem like it's improvised and/or to come up with things that you find in the room that you couldn't have known until you get into the real situation, just try to improve things as you go along.
I think the hard thing about this job [stand-up] I mean, I think this part is great but that the traveling is y'know, 'cause 'cause I'm gone a lot from home and this time I'm out for three-and-a-half weeks without going home, and that's hard, to be gone three-and-a-half weeks 'cause then I have to ask my friends, "Would you mind going to the house and watering the plants, and turn some lights on and make it look like somebody's home, and make sure that the mobile over the crib isn't tangled or the baby's gonna get bored.
I'm taking probably the biggest risk of my career in playing the part in Filth. If you stop taking risks, then you get bored, or you just keep playing the same part, over and over again. Eventually audiences get bored of that, as well.
I've grown up by the beach all my life, and I almost get anxiety if I haven't been swimming for a couple weeks or a month. It kind of builds up, so I try and get out as much as possible.
I always heard my dad talk about playing music right through till the end. He may have talked in the early 90s about how he was ready to get off the road. But retirement, for my dad wasn't part of his make-up.
The more you play, the more you feel part of the squad, and then, in turn, you end up playing better. I think it's a psychological gap as well - if you don't think you're a first-team player, then you won't be.
In the mornings, I try to spend anywhere from 15 to 60 minutes with my son. Failing that, I try for 30 to 60 minutes together at the end of the day. I try to make that work, but if I can't, I just move on. You can't beat yourself up about it.
I'd like to think that, at the end of the day, you can look at the things that I made as a young person and the things I'll continue to make as I get older and they'll be consistently interesting and soulful things, and if you like them they'll be a part of your dimension, as well.
Confidence in markets and in institutions, it's a lot like oxygen. When you have it, you don't even think about it. It's indispensable. You can go years without thinking about it. When it's gone for five minutes, it's the only thing to think about.
I think that always myself is my worst opponent. I always playing against myself first and then to the other one. So I'm playing against two guys during the match...It's like mentally I don't know what is gonna happen in the next ten minutes. Maybe I get depressed in ten minutes. I don't know myself too much...Yeah, I was working with a psychology, and I still.
I think women are concerned too much with their clothes. Men don't really care that much about women's clothes. If they like a girl, chances are they'll like her clothes.
The thing that I like about action sequences is that if they're done well, you get to know more about the character in those few minutes than you do through 10 minutes of exposition.
In my work I try to get things right, to do it well, and if there are specific skills involved - like in a case conducting or playing the piano, or in this film I have coming up where I play a character who is German - I'm very meticulous about learning accents and dialects and those kinds of things. That's probably the closest I come to being a perfectionist.
Today there are more things you can wear for the same occasions. I still like this idea of the perfect suit, and I always love tailoring, but today you can have more things for this type of situation, clothes that have class and that are mixable, and that are super well cut.
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