A Quote by Fidel Castro
There is nothing more agreeable than having a place where one can throw on the floor as many cigar butts as one pleases without the subconscious fear of a maid who is waiting like a sentinel to place an ashtray where the ashes are going to fall.
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I busted out of the place in a hurry and went to a saloon and drank beer and said that for the rest of my life I'd never take a job in a place where you couldn't throw cigarette butts on the floor. I was hooked on this writing for newspapers and magazines.
The fear of death in the one place was not as strong as another kind of fear, the fear of a world gone crazy, a place where anything could happen, where nothing could be trusted, where nothing was certain. A terrible place.
Students of American history will recall that the important place where work gets done in the legislative body, almost without exception, is in the committees, more so than on the floor although sometimes more attention is paid to the floor.
I cherish my clothes and I remember what seasons they're from. But someone said to me as I was having trouble with styling a dress that I had bought, and he said to me: "Throw it on the floor." And I was like, "What? It's like a gown." He goes, "Throw it on the floor," and I did, and he's like that's how you need to wear everything. You wear clothes like you throw them on the floor.
I wander though China. Without ever having boarded a plane. My travels take place here in the Tokoyo subways, in the backseat of a taxi... all of a sudden this city will start to go. In a flash, the buildings will crumble. Over the Tokyo streets will fall my China, like ash, leaching into everything it touches. Slowly, gradually, until nothing remains. No, this isn't a place for me.
Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well.
A fall from the third floor hurts as much as a fall from the hundredth. If I have to fall, may it be from a high place.
There is nothing more satisfying than having a sentence fall into place in a way you feel is right, and then adding another one and then another one. It's extraordinarily satisfying.
I even smoke in bed. Imagine smoking a cigar in bed, reading a book. Next to your bed, there's a cigar table with a special cigar ashtray, and your wife is reading a book on how to save the environment.
The eyes like sentinel occupy the highest place in the body.
On the plane, I like to read fiction set in the location I'm going to. Fiction is in many ways more useful than a guidebook, because it gives you those little details, a sense of the way a place smells, an emotional sense of the place. So, I'll bring Graham Greene's The Quiet American if I'm going to Vietnam. It's good to feel romantic about a destination before you arrive.
When I'm with my parents, that's the place I can unplug. That's the place I can shut down and not worry about work or what's going on. I go home and hang out with them. I sleep more there than any place else ever.
I always went into an area that was in last place, with a philosophy, 'You can't fall off the floor.' And I was lucky, was at the right time and the right place, with the right ideas, and each one of these areas became number one.
Going onstage without my primary instrument is like being a guitarist and going up onstage with no guitar waiting for you. What do you do? That's why performance is painful for me, because I feel like I am always in a strange place with a bit of a handicap.
I heard that your subconscious is on the right side. I always shut my right eye when I play, or both eyes. I feel like you go to a deeper place in your subconscious, and you tell the stories that are more deeply within you.
I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable greyness, with nothing underfoot, with nothing around, without spectators, without clamour, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmostphere of tepid scepticism, without much belief in your own right, and still less in that of your adversary.
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