A Quote by Filippo Inzaghi

I've always thought that the best answers you can give are answers on the pitch, and I hope to continue doing just that, which is the most important thing. — © Filippo Inzaghi
I've always thought that the best answers you can give are answers on the pitch, and I hope to continue doing just that, which is the most important thing.
Stop looking all over the place for "the answers" - whatever they are - and start looking for the questions - the inquiries which are most important in your life, and give them answers. You do not live each day to discover what it holds for you, but to create it.
[Steven Spielberg's films] are comforting, they always give you answers and I don't think they're very clever answers. The success of most Hollywood films these days is down to fact that they're comforting. They tie things up in nice little bows and give you answers, even if the answers are stupid, you go home and you don't have to think about it. The great filmmakers make you go home and think about it.
We try to do our best to give honest answers and sometimes those aren't always the best thing.
I never had faith that the answers to human problems lay in anything that could be called political. I thought the answers, if there were answers, lay someplace in man's soul.
While testimonies can come as dramatic manifestations, they usually do not. Sometimes people think they need to have an experience like Joseph Smith's vision before they gain testimonies. If we have unrealistic expectations of how, when, or where answers come, we risk missing the answers which come as quiet, reassuring feelings and thoughts that most often come after our prayers, while we are doing something else. These answers can be equally convincing and powerful.
Questions are the important thing, answers are less important. Learning to ask a good question is the heart of intelligence. Learning the answer-well, answers are for students. Questions are for thinkers.
I don't think it's the writer's job to give answers or to give opinions. In fact, when a writer has answers, I think the work ends up being corrupted. It becomes didactic. What a book does is share a consciousness and invite people to explore the questions as best as you can.
One of the most important tools in critical thinking about numbers is to grant yourself permission to generate wrong answers to mathematical problems you encounter. Deliberately wrong answers!
People will continue to search for answers to universal and perplexing problems. But to find meaningful answers, one must first know what questions to ask.
The media likes me because I give honest answers. How many people in football give honest answers? I don't lie. Always the truth. OK, maybe my truth. But it is the truth.
I love to try to understand first principles and be guided by that. But then, enrich them, because they won't last forever, just like everybody thought Newton had all the answers. And you probably read that, in the last of the 19th century, Harvard and others were discouraging people from going into physics because we have all the answers. And right after that, of course - we have - all this stuff is thrown out the window. And now we have whole new answers.
We used to have lots of questions to which there were no answers. Now, with the computer, there are lots of answers to which we haven't thought up questions.
That's why my relationship to the Lord is so important. He doesn't leave you hanging. He lets you know. He gives you answers. Solid answers.
There was a time when I had all the answers. My real growth began when I discovered that the questions to which I had the answers were not the important questions.
Every time that a man who is not an absolute fool presents you with a question he considers very problematic after giving it careful thought, distrust those quick answers that come to the mind of someone who has considered it only briefly or not at all. These answers are usually simplistic views lacking in consistency, which explain nothing, or which do not bear examination.
The main thing for me is just the length of time it takes to make a movie. It's at least a year of just talking about it, talking about it with yourself or your director or your other castmates or the press, so you just want to make sure it's a film that although you initially feel this pull or this drive to it, you don't really have the answers to why you're drawn to it. But it's more about not knowing the answers to certain questions but wanting to go on the journey of discovery to find the answers.
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