A Quote by Filippo Inzaghi

Maybe that's my only remorse, not having played more alongside Ibrahmovic towards the end of my career with Milan. We had an incredible feeling - he was delighted when I scored and I think we were made to play together and be a strike partnership.
It was only after I made my Duleep Trophy debut did I think I had a realistic chance to play for India. I scored a double hundred, and I realised that I had the potential to play for my country because I played the best bowlers in the country at that time.
It was all kind of a whirlwind at the beginning. I didn't really realize that I had a special gift from God. It was probably towards the end of high school in my senior year when things really started to come together and I realized that I had more potential and that I could do this as a career and that the Olympics were a possibility.
I think there's a sort of agony with all intelligent and very creative designers that it's only fashion, that in the end it's only the decorative arts. I had a feeling towards the end that Saint Laurent and Berge were very keen to attain that immortality that a lot of designers long for. You know, those endless exhibitions.
Playing in Milan for me meant being able to play alongside players who were idols to me as a kid. Playing alongside David Beckham - his long passes are perfect for me.
Maybe I will end my career here in Milan, but there is a possibility of going back to Brazil.
It was then that I remembered the colour blue, the blue of the sky in nice that was at the origin of my career as monochromist. I started work towards the end of 1956 and in 1957 I had an exhibition in Milan which consisted entirely of what I dared to call my 'Epoque bleue'.
I always wanted to play for AC Milan or Real Madrid. Real Madrid, of course, because when I was young, the players that played there were the top players. I was looking at Real Madrid as the best of the best. And AC Milan, they also had good players when I was young, so I looked at AC Milan the same way as Real Madrid.
I had the chance to play for a lot of different teams in the Premier League, but I think all the choices I made were the right ones. I could name a lot - with Gremio, PSG, Barcelona, Milan, Flemengo Mineiro. I was lucky enough to score a few goals, and they were all beautiful.
I decided to pursue an acting career after having had an incredible experience working on a play in high school.
Playing alongside Messi is special for me. He's a player I always wanted to play with. I have played against him with Brazil, but to play alongside him is a privilege.
Had my dad not been short and fat and balding, there's no doubt his career would have been very different. But he could do lots of stuff and made a very good career out of it. He had an incredible work ethic because he lost his father when he was very young, and the family had to pull together.
I had a nutty career. I was living in New York. Then I got to an age where my friends and sister were having children, and I started to think I needed to orient myself towards a world where it could happen.
I think horror films in the past maybe touched on social themes having to do with whatever era in which they were made, but in the end, it's definitely an escapist form of entertainment.
Scoring 100 points is a lot, but I maybe could have scored 140 if they had played straight-up basketball.
Though modern Marriage is a tremendous laboratory, its members are often without preparation for the partnership function. How much agony and remorse and failure could have been avoided if there had been at least some rudimentary learning before they entered the partnership.
[Lee Morgan] was the only young cat that scared me when he played. He had so much fire and natural feeling. I had more technique, but he had that feeling. People seemed to like him more than they like me at the beginning.
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