A Quote by Finn Balor

I often find out, once people have trained, you can never really re-train. When you get trained, you learn to lock up; you learn a wrist lock and, okay, onto the next thing, onto the next thing. You never really go back to the fundamentals.
Tennis is a great game, a great sport because you're out there by yourself, so you have to move on to the next point, next game, next set, whatever. It's the same thing in basketball. If you miss a shot, you move onto the next one. If you turn it over, you move onto the next play. That certainly helped me.
Being born into the business, I had the connections. A lot of guys aspire to be professional wrestlers, but you need to get trained the right way. And then, once you're trained, you need to get to that next level, and really, the WWE is the only place to do it.
You can go out and find ways to make your own record and get it out there now. If you really want to, you can be heard. Keep things simple. Learn to go out and play solo. That's a really really good thing to learn, if you're a singer-songwriter. Don't be dependent on a band because you may not always be able to afford one.
I am in that position where I finish something, it goes out, and I'm onto the next thing. I finish it, it goes out, onto the next thing.
I just kind of assumed that you do a movie and then you leave and you hop onto the next thing. I never thought that people are actually buddies.
We're kinda always writing, so it's like we're always thinking about what's next, so that'd be a yes. We're always constantly wanting to get onto the next thing or the new thing.
Eventually women will learn there's no such thing as freedom. Their husbands are just as fastened to the deck as they are. Men get onto a treadmill and never got off.
I don't really know who I am as an actor: the best thing would be to experiment with it for the next 30 years and never really find out.
My experience over the years with working with people who are not actors or not trained actors is that you have to get to know them well enough to see what they have that's translatable onto the screen. So you're constantly calibrating to play to their strengths. And the key is to never ask them to do things that are beyond their abilities or are really far away from who they are at their core.
I know plenty people, and I've done it myself, where you lock yourself inside for four days and you a watch a whole series. It's like watching a never-ending movie. It's great not to have to wait for the next season or the next week.
You must learn how to handle rejection. To succeed, you must learn how to cope with a little word 'no', learn how to strip that rejection of all its power. The best salesmen are those who are rejected most. They are the ones who can take any 'no' and use it as a prod to go onto the next 'yes'.
The weird thing about drama school is that you train for three years for one thing, and then, more often than not, it's something that you haven't trained for that you end up doing.
The weird thing about drama school is that you train for three years for one thing and then more often than not, it's something that you haven't trained for that you end up doing.
I never... it's a hard thing: when I think about projects, I don't come off something and go, 'I really want to make a sci-fi film next,' or 'I really want to do a political thriller next.' It's really coming across - I'm really fascinated, partly by world building, but also about the character and what the journey is.
The fact that I am not formally trained never really bothered me. There were times I knew it could have been a brownie point, had I been trained, but it never pulled me back.
There are many lessons people can learn about the left. One of the key lessons is they never give anything up. Once they begin a quest, they don't stop until they've got it. The other thing that you need to learn is, they're never happy even after they succeed. They are never happy because there can never be enough to satisfy them.
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