A Quote by Finn Balor

I spent a lot of time in Japan. To me, I felt like my career was kind of marooned out there. I didn't realize the extent of the reach that New Japan had in America and around the world.
I knew I wanted to shoot in Japan early on. Years ago, we did a Japan segment in "The Community Project," and at the time I felt it was one of the better Japan segments ever captured.
I remember my very first encounter with Japan. At that time, I was Deputy Mayor of St Petersburg. Out of nowhere, Japan's Consul General in St Petersburg came to my office and said Japan's Ministry of Foreign Affairs wanted to invite me to Japan. I was very surprised because I had nothing to do with Japan except being a judoka. This was an opportunity to visit Tokyo and a couple of other cities. And, you know, a capital is a capital everywhere: there is the official script and certain protocol. It is always easier to talk in the provinces, the conversation is more natural.
I speak of the old Japan, because out of the ashes of the old Japan there has risen a new Japan.
I actually feel like the phrase 'big in Japan' is not appropriate for me. The reason is that there are more people who sympathize with my practice in America than there are domestically in Japan.
The ROH guys looking at the New Japan guys coming over, we're just psyched. We think, "oh great this is just going to make our show even better." The respect level with New Japan and ROH is at an all-time high. And anytime we get a company like New Japan Pro Wrestling on a ROH show, it just benefits our show. It has everybody all jacked up, ready to do the best we can like we always do.
The election of Shinzo Abe as the leader of Japan's ruling Liberal Democratic party and now prime minister will have profound repercussions for Japan and East Asia. Most western commentary during the premiership of Junichiro Koizumi has been concerned with the extent to which Japan has allowed a freer rein to market forces.
When I go to Japan and do shows I play for 1,000 to 1,500 people. I like a lot about Japan. Their popular culture and mass commercialization appeals to me.
However in countries outside of Japan I think game music is still a potential growth market that has not yet developed to the extent that we are seeing in Japan.
Japan had the big earthquake in 2011, and the Olympics will be a good opportunity to bring strength to the people of the Tohoku region - and also to show everyone around the world that Japan is doing fine again. These are messages we have to convey through the power of sport.
My first six months were in Japan; then I went to Mexico and then went back to Japan. I had the opportunity to wrestle all the wrestlers from the United States, Europe, and Japan when I was there.
Even though Japan and Germany were not formal allies at the time that Japan conquered Shanghai in 1937, still, Frenchtown was an area that Japan could take complete control of - and they did. And it was the locus of nightlife.
I loved my time in Japan, and I am grateful to have had the chance to live in Japan and embrace the Japanese culture.
For a long time, almost 14 years, I wrestled in Japan, so I didn't think I would leave New Japan Pro Wrestling, but I started changing my mind. I wanted to see the other world. I wanted to change something. I wanted to be bigger.
The cool thing is, when we first did our joint Ring Of Honour-New Japanies Wrestlers, I think that definitely existed. I think the ROH guys were like, "we can't let these New Japan guys outshine us" the new japan guys were ready to make a statement as it was this really big event in America. But the cool thing about this relationship is we've literally become a family now. A lot of us are friends with each. We obviously respect each other.
I've done Last Samurai in Japan, in LA, in New Zealand. Even in Japan it is very hard to shoot, because there's been so many changes. Only around a temple can we shoot.
For me, my number one guy would be Tanahashi from New Japan Pro-Wrestling. Like, watching him, like, this guy is a bonafide rockstar over in Japan. He can't even walk down the street without getting stopped, the way that he carries himself.
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