A Quote by Finn Jones
I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
Related Quotes
I am an actor and I do not have to relate to whatever I play on screen them at a personal level. What is important is to understand the character, do enough homework to know the frame of mind of the character or his back story.
You have to have a character; you have to build your character. If you understand the pro wrestling scheme of things, then you understand what the promoting is. These guys are friendly backstage, but as soon as the cameras turn on, it's a whole different story: you become that character.
I just really like the characte [Jasper Hale], and I love the story [Twiglight], I think it's a very strong character and I respect him. It's interesting; I respect the character that I play. I don't understand it, but I do. That's a good thing. I think so, I think so. I never felt like that before with a character.
It seems like there's a lot of people who just do not understand satire. They think it's weird. There's people who just don't understand you portray something or just explore a character, it means you're condoning it, saying this is the way to live.
One of the things I tell my students is that if you want to understand what's been going on and also what needs to be done, you've got to get out of the blame game. Some people on the left want to blame the rich and corporations. Some people on the right want to blame the poor and government. Either of those frames of reference gets you nowhere and they aren't even truthful. You've got to understand the dynamic itself.
But if you don't understand that story is character and not just idea, you will not be able to breathe life into even the most intriguing flash of inspiration.
Having nerves and feeling the pressure just gets you focused and gets your concentration level where it needs to be. I harness that nervous energy into a positive way.
This time I m not going to tell you a story. I'll just say that insanity is the inability to communicate your ideas. It's as if you were in a foreign country, able to see and understand everything that's going on around you but incapable of explaining what you need to know or of being helped, because you don't understand the language they speak there.
When you understand, that what you're telling is just a story. It isn't happening anymore. When you realize the story you're telling is just words, when you can just crumble up and throw your past in the trashcan, then we'll figure out who you're going to be.
I hated how Sam Rothstein got manipulated by Sharon Stone's character in 'Casino.' I mean, I just hate how he gets manipulated; that just gets ridiculous to me. I know it's historic, but I hated that.
Once I got into college, I discovered literature - in particular, multicultural literature. I just started to understand the power of story and narrative, and you know, like anyone else, I kind of wanted to do it, too.
I didn't really understand what you did when you went in front of the camera. And then suddenly I just understood it. When you're in a play, you carry the story, but you don't have to do that in film.
Part of success is having a good story, and as a journalist, I totally understand. But it meant that my many, many years of focus and hard work got kind of prepackaged into a Cinderella story. I'm super grateful that it happened, but it left me feeling like I never got to be a full human in the experience.
It's strange. There's your life. You begin it, feeling that it's something so precious and rare, so beautiful that it's like a sacred treasure. Now it's over, and it doesn't make any difference to anyone, and it isn't that they are indifferent, it's just that they don't know, they don't know what it means, that treasure of mine, and there's something about it that they should understand. I don't understand it myself, but there's something that should be understood by all of us. Only what is it? What?
When I first came to Columbia University, I was dirt poor. I did not choose to come here - I just ended up here because I had nowhere else to go, having just escaped from China after Tiananmen. I was in a new country where I didn't understand the language, didn't know anybody, and didn't have a penny to my name. So I was desperate and afraid.
I just don't ever want to play the girlfriend. You know, the supporting character in the background who just sort of comes in and goes, "Oh, shucks." It's just a boring character.
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