A Quote by Finn Wittrock

What you always try to do, as an actor, is find the thing that's universal in the person. — © Finn Wittrock
What you always try to do, as an actor, is find the thing that's universal in the person.
There should always be that leeway because if you think of your character as sort of absolutely fixed, then you just try and find actors to come and do exactly that thing, then you're not gonna be working with that actor's own set of internal impulses and who they are, so the best work is always a coming together of the actor and the character.
I try not to push characters too close to myself because they get harder to write, but as a writer, you try to find odd little personal experiences that you hope are universal or think might be universal.
As an actor, I don't really think you find yourself. I mean, once you find yourself, I think it becomes boring and you become set in your ways. I think, as an actor I think it's not a bad thing but more of a gift. It's something you're always doing as an actor. You're adjusting constantly.
I always try and find a place for Guy Pearce. The great thing about him is he's so versatile, and I wouldn't work with an actor that much if it weren't for the fact that he had so much versatility.
I've always tried to be an actor who... I just plod on and try to keep my mouth shut, mind my own business. I find the whole thing about people's lives... I can't understand it. I'm always astonished that people want to know anything about me.
It's always a really great thing to have an actor that does make you want to up your game. It naturally motivates you to do and try things that maybe you wouldn't necessarily do or try.
I always felt like I could combine good pop songs that are easy for people to like with a real person and a real mind and integrity. So maybe I bring people into that pop world who don't usually find themselves there because there's not enough stuff for them to get excited about otherwise. I try to be genuine. I try to be real. It's such a subjective thing, but I try to convey an emotion.
I've always believed that as an actor anything you're asked to do is within you. You just have to try and find it.
The main thing is always try to find different voices for yourself. If you're in your car just driving somewhere you can try to start thinking about a voice you might want to do, like try a British accent.
The biggest thing about me, as an actor, is I'm never a finished product, you know? I always want to try something or be in a new genre because, one, it's much more fun to do that because you're not doing the same thing over and over. One of the greatest reasons is that it keeps stretching you as an actor. So, hopefully, my method is that it makes me a better actor, and a more believable actor, so then, the more experience I have in any way possible, in a drama or a musical genre, different formats of working, the better I can be on all different platforms.
Even when you're casting, casting is always one of the weirdest subjective areas. You can get a group of people who would decide and say, "This person is a great actor and this person is less than a great actor," but there will always be somebody else who likes that person better than you based on their experience in their other films.
A lazy person will try to always find some way to do something; they'll always be looking for ways of doing something faster, more efficiently, and if you really want to control the world, that's a really sort of hubristic notion - excessive pride, the thing that Zeus zaps you for having.
I think filmmakers are always interested in getting the best actor that they can find, the person who's the most right for it.
Going from a child actor to an adult actor is not an easy thing, and I was sort of lost in a no man's land for a while, trying to figure out who I was as a person, and going from a young actor to an adult actor.
I always thought the leading actor should be the best supporting actor, because you're the only person that can help every other actor on the set.
What I try to do as an actor is constantly find that, find ways to risk, find opportunities to fall on my face if it's going to be worth it, and then maybe I'll surprise myself.
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