A Quote by Finn Wittrock
I think in some ways, acting and writing are the same. You're getting inside the skin of someone else; you're creating their language and their actions. As a writer, you have to see the whole picture and the structure, and you have to understand every character.
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In some ways, every character we write, especially the protagonist, is some version of ourselves, as a writer/director, even if they aren't the same gender.
If the character is getting mad, getting upset or getting turned on, you're getting to see that in the facial tones and the skin tones. That's what I enjoy about acting. It can be very subtle, like that.
Acting and making music are quite complementary. Acting relies on someone else's writing and direction; writing music or lyrics doesn't. But they are both creative and personal in completely different ways.
My whole life experience feeds into my writing. I think that must be true for every writer. Clearly the Army and combat were major influences; just the same, you need to understand that many of the writers we have now couldn't load a revolver.
People think if you describe someone with glistening brown skin you're writing about race, as if the whole of the African diaspora is in someone's brown skin.
I really enjoy just being an actor. It's fun to be surprised by someone else's writing and to collaborate in creating a character and to leave all the hard decision-making to some other room full of suckers!
Every language having a structure, by the very nature of language, reflects in its own structure that of the world as assumed by those who evolved the language. In other words, we read unconsciously into the world the structure of the language we use.
My writing model is my mother, who is a writer as well. She always valued clarity and simplicity above all else. If someone doesn't understand what you're writing, then everything else you do is superfluous. Irrelevant. If any thoughtful, curious reader finds what I do impenetrable, I've failed.
The acting served as an outlet for my emotions for some time because I was doing it under the guise of someone else. And that can only be therapeutic up to a point until you truly deal with it and can express it to someone directly. Acting was a helpful outlet for me as a child. In some ways, I can say it saved my life.
I think that the marketplace has changed in many dramatic ways but actually in some sense it's remained the same because the challenge of creating quality programming is the same, and I've always thought that if you follow the great material everything else will fall in to place.
The writing is amazing because having a hand in creating what you're going to be performing... there's nothing like it. It's always going to be better suited for you. You're always going to know the lines faster, because you wrote it. The writing is so very hard. It's the hardest part of the whole process. In some ways the acting is a lot easier and a lot more fun.
As with editing, I think my strength as a writer is structure. It's not a skill that's much discussed when we discuss fiction, or not as much as language or character development anyway, but it's the first thing I determine before I begin writing - not just books, but anything. I think I know how to pace a narrative well. I think I'm aware of repetition, that I try to create different kinds of sentences as often as I can. Those are all things I learned from magazine editing.
Sexism and racism are parallel problems. You can compare them in some ways, but they're not at all the same. But they're both symptoms inside the white male power structure.
Acting was my classroom in many ways and I always believed and I still do that acting is not just about pretending to be someone else, it's also about discovering yourself and reaching deeper inside yourself.
It is necessary a writing critic should understand how to write. And though every writer is not bound to show himself in the capacity of critic, every writing critic is bound to show himself capable of being a writer; for if he be apparently impotent in this latter kind, he is to be denied all title or character in the other.
Because I grew up on 'Star Wars', that was the best example of creating a full and rich world to me as a writer. When I was watching those movies as a kid, I wanted to know more about every damn character in that universe. There was always a hint that there was a story there that you just weren't getting to see.
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