A Quote by Finn Wolfhard

Messing up lines is always embarrassing for me. — © Finn Wolfhard
Messing up lines is always embarrassing for me.
Embarrassed journalists ask me embarrassing questions, and they get embarrassing answers, and then hand out embarrassing stories to the embarrassing editors, who put them to the front pages of newspapers. When is this going to end?
My experiences are universal. I'm not doing anything embarrassing - to me what would be embarrassing is to talk about minutia. It would be embarrassing to get up there and not say anything.
I don't know if I was always an open person, but I think stand-up comics specifically have this way of running towards embarrassing things - whereas regular people tend to run away - because the embarrassing story is always going to be the really funny story.
In my opinion, you start messing with what this country was founded on, and our baseline is what we call it, it opens up too many - too many doors. You start messing with that, people can say religion kills people. So, let's start messing with that.
People quote lines to me all the time. I'm always surprised - everybody has a favorite movie, and they're always different. I'm always shocked. People stop me on the street and throw lines at me from 'Tales from the Crypt: Demon Knight' and 'Deep Space Nine.' 'Shawshank' happens a lot because they play it so much on TV.
I would never do a commercial for something that is embarrassing, and I think that people maybe have a different perspective on what is embarrassing or not. Some people think doing a Revlon hair commercial is really cool. To me, that's embarrassing, but World of Warcraft: not embarrassing, very cool.
I would never do a commercial for something that is embarrassing, and I think that people maybe have a different perspective on what is embarrassing or not. Some people think doing a Revlon hair commercial is really cool. To me, that's embarrassing, but World of Warcraft - not embarrassing, very cool.
You don't have to be a brilliant historian to know that in Europe, messing with countries' borders, messing with their self-determination, their ability to choose their own futures, this is extremely dangerous, and that's why I think it is important to stand up to Putin.
I always keep my options open. I always say, "Make me an offer and send me the script, and if it's something that I can connect to or relate to..." The character has to intrigue me, and the project overall has to intrigue me. And if it all lines up properly, then we can get into the business side of it. But it's always about the creative first.
I'm always up to no good, messing about.
I never don't know my lines. I never take the audition pages into the room. I end up relying on them or looking at them too much, and it makes me feel unprepared, so I always learn my lines without fail.
Does it seem sometimes that you are always the one to break an embarrassing silence — and always by saying something more embarrassing than the silence?
Televisison is like a factory line. You need discipline and focus. You have to hit your mark and know your lines. It's not that I don't know my lines when I do a film, but the pace of discovery is always a little bit more relaxed and nurturing and almost babying, in a way. Television toughens you up, and I like that, but I don't want it to toughen me up too much.
If I'm being honest, I was messing up on every other level in my life growing up - whether it was in school or in my jobs. I was always distracted by my love for music.
I'm reasonably easygoing. Messing up my lines or making a fool of myself is where you find my fears. Like a lot of English people, I'm prey to embarrassment - the dread that everyone's sort of sniggering at you, that you're going to look like an idiot. I think that sort of halts us all.
I've always been - as a teacher, as graduate student, as a student, and I think, really, as a child - I've been interested in poems, but not so much for what the take home pay is, what you might sum up from them in moral or intellectual terms or whatever, but what's in the certain lines and how lines relates to other lines.
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