A Quote by Finn Wolfhard
It's really cool when the thing you are working on as a small team gets embraced by millions, but in the end, it's about your character and the script and your director and the rest of the cast and crew.
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The script is the most important thing for me. I'm advised that other things are important too, and they are. The director that you'll be working with is hugely important, and the cast that are with you is really important as well. But, for me, the thing that gets my heart excited and really makes me invested in something or not is just the quality of the script.
My absolute favorite thing about working on 'Liv and Maddie' is my cast and crew. The people that I spend almost every hour of every day with. Your cast has great influence over the quality of your life, and I've been blessed with not just a cast, but a family.
I miss the cast and crew of 'Supernatural' immensely. I know it's a cliche to say your cast and crew are like your family, but it's really the case there.
I miss the cast and crew of Supernatural immensely. I know it's a cliche to say your cast and crew are like your family, but it's really the case there.
When it gets going bad and it gets going to where all these things are happening around you, the thing that stands out most is your character. You have to make sure you keep your character and your wits about you, because at the end of the day, it might be bad for a little while, but if you're a good coach it all works out.
You have to have a good script. You have to have compelling and complicated characters that you want to hang out with. Also, since you're going to be living with your crew and cast, I think it's really critical to create a great working environment, because we're spending so many days, so many hours together.
Yeah, it's funny, working on a show with as large a cast as we have here, your work gets sort of compartmentalized. There's still about half the cast that I've never had a scene with but I have missed working with Terry.
When I get cast, I always flip to the end of the script to see if my character gets beaten up or killed.
I have been waiting around to get the right script and the right director. For example, in the past, if a Hollywood director came to me with a script and wanted me to play a character, and she was a stereotypical Asian woman who gets into a fight and gets killed off quickly, that didn't seem to have much interest for me.
You've got to have confidence and trust in your cast. You have to have confidence and trust in your director, in your editor. It's such a team effort; I really think you have to pull yourself out of it and just trust. I think the number one thing you can do is just trust everyone around you.
After all, at end of the day, when you're breathing your last, it's not your producer, director, or cast mates by your bedside; it's your children. Keep that in mind.
Definitely the script because you want to be part of an interesting story, you want your character to be a challenge, then comes the director. But essentially it's the script first and whether it's a character that you think you can do.
With Courageous, it was the first film where we really began to pay our cast. Because the church owned the previous films and we started so small, with such small budgets, people were just volunteering on the cast and crew.
One thing that I always loved about, say, 'Raiders of the Lost Ark', is that Indiana Jones gets the Ark of the Covenant about sixty percent of the way through the movie. And then the rest of it is get-out-alive. To me, that's really cool. Because he's the one you care about at the end of the day.
A film can be big or small - I have to just fall in love with it. To connect with the character, the script, and the director. Sometimes they say to you, 'You should do that for your career; it's a big thing, people will go and see it,' but I wouldn't be able to, because my heart wouldn't be in it. I would drive people quite mad.
It's not about the script: it's about who the director is and who the other people in the cast are. Because you can look at a great script and execute it in a very sophomoric way, and you can look at an OK script, and you can execute it in a very sophisticated way and come out with something really good.
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