A Quote by Finn Wolfhard
I'm always interested in horror and the supernatural.
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I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage.
I've always been into the horror genre, so I've seen a lot of movies with ghosts and supernatural stuff.
I do like horror films, but I wouldn't ever be interested in putting a horror on stage - blood doesn't equal horror.
As a kid I was into horror. I loved horror. Horror was huge. I was always into horror. Goosebumps for me was massive growing up. Horror for me was always a big thing.
Mental hospitals are great for horror movies because they're already scary even without the horror or supernatural elements. This is a place where you can play with the ideas of one's sanity, what's real and what's not.
When there's a great horror movie, people are like, 'Horror's back!' And when there's a series of not so good ones, 'Horror's dead.' I think it's all about the quality. When there are one or two good horror movies in a row, people come out interested again.
My story reflexes come less from fantasy or horror than from the darker sort of psychological thriller - not as plot-driven as most, rather more mood-driven. My interest in the supernatural is a complication - though I am less interested in ghosts than in people who see ghosts.
I always go with the story and character and if those are good and if the setting is something that's scary (horror films seem to always take place at night and the weather's always bad) then I might be interested.
I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
I'm a huge fan of the horror genre and the supernatural elements.
Supernatural entities simply do not exist. This nonreality of the supernatural means, on the human level, that men do not possess supernatural and immortal souls; and, on the level of the universe as a whole, that our cosmos does not possess a supernatural and eternal God.
People say 'Scott's [Derrickson] movies are kind of scary, is this a horror movie?' Of course, [Doctor Strange] it's not a horror movie. But what Scott has done so well in the best of his films is have one foot completely in the real world and one foot in this whatever supernatural sub-genre he was playing with.
The Surrealist supernatural is a bit predictable but given the choice between supernatural and anything else, I would have no hesitation. Long live supernatural!
I have always loved westerns... supernatural westerns in particular. One of my first professional short story sales was a horror/western story. It wasn't so great, though, so I'm glad the magazine folded before it saw print.
I think [Doctor Strange] it is - it does tap into a supernatural type of genre that is not horror.
I'm not interested in gothic storytelling or the horrific for its own sake. I'm always interested in it as a way of getting at larger ideas or important meaning. And you don't see that as much as you'd think in the history of horror cinema. A lot of times, it's scariness for scariness' own sake.
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