A Quote by Finn Wolfhard
PUP introduced me to so much more amazing music. They really shaped my sound.
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I really would not be where I am today if I hadn't done those PUP videos. It just showed me so much. It taught me so much about music and acting and being your own boss.
It's amazing how you meet people through other people. I knew a racecar driver, Stefan Johansson, who was very hot. He introduced me to Jean Todt. He introduced me to a French doctor. He introduced me to a French architect who redid the Louvre with I.M. Pei. He introduced me to Daniel Boulud.
I never really made much money playing music. It's because I've never really worked with a producer who could make my music sound, I guess, like how the public wants it to sound.
My music doesn't really sound like punk music, it's acoustic. And it doesn't really sound like folk music 'cause I'm thrashing too hard and emoting a little too much for the sort of introspective, respectful, sort-of folk genre thing. I'm really into punk and folk as music that comes out of communities and is very genuine and very immediate and not commercial.
When you're younger and a little more innocent, you write whatever [lyrics] comes naturally. But as you get used to writing you try to steer the sound and music to different music and throwing in the "kitchen sink" of sorts into the music. With that way, you end up putting in much more than before and you could even make much more next time around.
![Steve "Lips" Kudlow](/assets/images/photos/avatars/steve-"lips"-kudlow.webp)
The Muslim women that I have met are super-powerful and amazing and smart and they are, they're not allowing themselves to be held back by the laws that exist. And you know, the Internet exists now, and mobile phones are freeing up stuff. I have a really good friend who's from Iran and a really good friend who's from Kuwait, and they talk about getting music on the black market and how that's such an intense, amazing experience. And how they value the music so much more, because it's such a risk to own it.
Music is the celestial sound, and it is sound that controls the whole universe, not atomic vibrations. Sound energy, sound power, is much, much greater than any other power in the world.
Playing live is much more natural for me. The instant reaction and the feedback from the audience is great for me. I really relish it. And if you play blues-based music, it's not really academic music or recital music. It really needs a bit of atmosphere and a bit of interplay and a bit of roughness, and you really get that with an audience.
I don't think it's changed that much when you go on the principle if Garth introduced more rock into country music, then Florida Georgia Line's gonna introduce more dance and more beat-driven stuff into country music. That's just how it's gonna go. So whatever influences you as a kid, you're gonna put in your music.
I remember where I was when I heard Yngwie Malmsteen for the first time. It was such an epiphany for me, and it really shaped the way I play today. I think I heard him in '83, if I'm not mistaken - I was 13 years old - and it really was amazing for me.
I never made a distinction, really, between music and sound. Let me explain what I mean by that. I grew up near to a train station, and the sound of the trains became a very important part of my world. It was a very musical sound to me.
Singing really is acting. In a lot of ways, it's much more personal. I love music, and being able to work on that is amazing.
There's this really amazing quote from Jim Jarmusch about celebrating your theft that I think has become more and more prominent in music: "It's not where you got it from, it's where you take it." To me, that's just an integral part of why I even bother making music. I don't mind that I've created an identity around what I do.
There's definitely that tribal Africana thing going on in my sound. It's that marching band, second-line music, that Creole-influence in the kick, and the snare that drives everything for me. I think it's really what's separated my sound from a lot of the R&B and pop music out there.
Who shaped me the most was Thomas Tuchel. For the simple reason that he was my own trainer and the exchange was so much more intense. I can rate how he really thinks.
I don't really care so much what people say about me because it usually is a reflection of who they are. For example, if people wish I would sound like I used to sound, then it says more about them than it does me.
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