A Quote by Finn Wolfhard

I love doing both animation and live acting. — © Finn Wolfhard
I love doing both animation and live acting.
I love acting. Acting is a true love of mine, acting and math. Although they are both creative, they use very different sides of your brain. And I love both. Acting is my first love, and that's my main career, it really is.
I love doing live action movies, but there's a great job in doing animation, especially one with music.
I love film acting - I'm not snobby about it. I don't think that theater acting's a more noble profession. I think they're both very important. I love both. And in my dream world, I'd get to do both forever.
The reason I like doing these acting projects is because no matter how much acting I do, I'll always have music in my life. I love having both.
I look at singing and acting as one career, and I love the chance to do both in the same project. I need to do both. When I'm doing one, I miss the other.
I love doing animation - mainly because you get to over-act. They're always saying "more," "louder," "bigger," "huger" and you just turn it lose. Plus, doing animation voiceovers, I have learned so much, and it's always good in your career to discover something you didn't know, and to learn to do things differently. So it's a fascinating experience.
I think the No. 1 lesson I learned from 'The Simpsons' was just that animation could be as funny as live-action. That animation could be funnier than live-action. That animation didn't have to just be for kids.
It's weird, I love acting and stand-up is a very unique, solitary thing where you are the writer, performer and director. But acting is incredibly rewarding, working and interacting with people to create funny moments. I can't imagine not doing acting or stand-up, I really enjoy both of them that much.
If I wasn't acting or doing stand-up, I would be in animation. Or if I had the discipline I might studies physics.
On an animated movie, I'm learning as I go. There are so many details in animation. Doing the voices was the easy-part. Doing live-action, you have to be on the set, every day.
There's a process in the movie industry in both live action and animation called development hell!
I love hand-drawn animation, but I have to say I have fallen in love with CG animation. What you can do in terms of visuals is pretty stunning, and I think if I did go back and do a hand-drawn animation, I would want to make sure that, from a stylistic standpoint, it would be as beautiful as 'Hunchback of Notre Dame' at least!
On MTV, the dialogue can be a little darker, more interesting and edgy... the animation is just phenomenal. It's a CGI program that's doing all the animation.
I prefer that animation reach into places where live action doesn't go, and it seems like all of animation nowadays is trying to go where live action is.
In my opinion, animation is best when it communicates without words, because it is the perfect medium through which to make shortcuts to meaning. When actors are not talking, just acting out, it looks kind of weird. But in animation, mime is constant, and you accept it.
You're using such different muscles and you rely on physicality in live action, but in animation, you totally throw that out the window. But somehow, they're both as satisfying.
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