A Quote by Finn Wolfhard

I try to keep my voice natural for each character, but the spirit and the cadence and breathing for each character is totally different. It's those things that set each role apart from the others.
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part.
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part
When I read to children, I try to become the characters. It's great if you can make a separate voice for each character. Sometimes you can lower your voice with excitement or get more intimate about it: you can lean forward and engage the children as a narrator or as a reader. It's particularly important that you find the voice that you want to use for each character, because then children can imagine that person as you're reading aloud. And of course, the illustrations help enormously.
He has such a clear vision of exactly what he wanted out of each character, out of each set, out of each wardrobe change, out of each emotional beat, and action.
I don't want everybody to try to sound like something; I think that God has given us each unique talents and passions. The things that come out of me will be different than my neighbor, because I have a totally different set of relationships, totally different set influences and personality traits.
Each environment is different, each job is different, and each realm of creativity that they give you is different. You try to do the best you can and put as much time into it as you can, but different jobs have different circumstances come about.
It never seems to occur to anyone that each reader is different, and that even those who might be said to resemble each other will each bring an individual set of experiences and references to their reading, and interpret and misinterpret it according to these.
Each film and each character is a completely new set of challenges. It doesn't feel like you can rest on something you may have done well in the past.
Each instrument has something to say to you. It's got its own character. Each horn has its own character and will say to you certain things. If you violate that, it's almost a sacrilege!
I treat every song like a different character. It is good that people recognise my voice instantly, but as an artiste, I always try and bring some variety with each of them.
I don't only act out of my character; my character reacts to my actions. Each time I why, even if I'm not caught, I become a little bit more of this ugly thing: a liar. Character is always in the making, with each morally valenced action, whether right or wrong, affecting our characters, the people who we are.
If Shakespeare's great plays are variants of stories, even novels, you can see how each character is telling his story from his perspective; each is vying with the others for dominance, but in the end, in tragedy, most of these voices will die, to be replaced by the yet more vigorous voice of a younger generation.
As an actor, you never really set out to be a stand-out character. You just want to do justice to the story and enjoy playing it, and find all the different nooks and crannies of who someone is. For each part that you get, they're all special and you just try to give everything you can to each one. I don't know whether they're going to be stand out in that way or not factors into my work. They all stand out for me.
Each role, I feel like takes you on a different journey based on who that character is.
I have a set of images that go around the world in an art gallery installation. Each of them have different audiences, and they kind of each elucidate the subject in a slightly different way, and they ping off of each other.
I try mainly to just focus on character and what my character's point of view is, with each person, and try to figure out story.
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