A Quote by Finneas
Billie doesn't actually like recording sessions at all. We like making music together. She doesn't like going to some big studio and having them pretend to be a therapist for a couple hours. So by default, we always make the good stuff together.
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There's a woman I see who's not my therapist, but she's like an old friend who's a therapist in profession. She lets me talk to her like a therapist once in a while, and she does a great thing. Whenever I have a big dilemma, like this is a big problem in my life, she always says, 'Wow, you're going to have to figure that out.'
It's the way I make music, I will take two ideas and smash them together and if they sit well together for me then that's fine, and it's the same with the lyrics - if I see a couple of lines and I like the way they look on the page then I'll use them. I find they take on a meaning of their own, it's very difficult to explain how I actually go about all that.
I'm not actually a very keen performer. I like putting shows together. I like putting events together. In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.
I really just like making music. People call that 'work.' Like, 'Oh, you're going to the studio to work?' No, that's even what I do in my off day. I love recording.
There are some directors who don't like the set much. They like post-production, where you have all the ingredients in the can - you've got all the footage, all the music, the various effects - and then you have to do the alchemy necessary to make it all good, a long and very key process of putting everything together and making it into the cogent thing that you want.
Perhaps the couple got married at 25 and now they're 45 and this is an option. And if a couple is still together, or perhaps finds its way back together, I like to say that it's forever. They belong together, it's a good fit, it's the right pairing. It almost gives me goose bumps.
We just laid down on the bed together with Reese Witherspoon at the Four Seasons, and she's like, "What are people going to think of Legally Blonde? They're just going to think I'm some ditz." I'm like, "No. They're going to love you." And they do, for good reason. She was amazing!
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.
You act like a normal human being and you treat them [actors around] like a buddy because you're all working together. It's no different than being Governor. You put a team together and say, "Guys, we all want to shine here. We all want to show that this administration is going to do things that other administrations have thought was impossible. Let's kick some ass together."
Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you
There are people from lots of different fields in my department. In my lab, they come from computer science, education, psychophysics, psychology, music - and we all work together, and it feels very comfortable. All the careers I've had have been interdisciplinary; working in a studio is like being an engineer and a musician and a therapist.
I want our fans to feel like I'm here with them. We're here together. We're going to lose together. We're going to win together.
When I was on 'Xena,' I remember the sound guy and the director at some point being like, you have to make sounds when you fight, and I was like, what are you talking about? You're never going to use it. But they hounded me for a good couple of hours, and basically it was, you need to act, you can't just perform the moves.
You know, songs like 'Rock'n Me' were actually written to be played in large... for a hundred thousand people kind of gatherings. And a lot of what came out on 'Fly Like an Eagle' and 'Book of Dreams' was music that was put together to be played in big, big venues with big light shows.
I feel like my perception has changed a little because when I was posting stuff online it was an extension of my studio and then it started getting some of the attention. Now it's like, "Oh, this is actually a place where you can make money," but I'm not interested in competing in that space. It seems like too much to deal with.
I'm just having fun. I go in the studio, and I have no idea what I'm going to do, what I'm going to make. I'm going to make whatever I feel like making.
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