A Quote by Finneas
When we are making a song for Billie I want it to resonate and speak the truth with her and want it to be a piece of fabric she can wear.
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If I'm making a song with Billie, then it's for Billie... She has to want to wear that song every day. And I think I try to do the same thing when I'm making a song for myself... I try to treat them both that way, like I'm sort of A&R-ing her and then A&R-ing myself.
He took her by the shoulders and pulled her closer to him, his fingers knotting in the fabric of her dress. Even more than in the attic, she felt caught in the eddy of a powerful wave that threatened to pull her over and under, to crush and break her, to wear her down to softness as the sea might wear down a piece of glass.
She [Joni Mitchell] wanted to have that (jazz) element in her music. Of course, when she heard Jaco's [Jaco Pastorius'] music and met him, that floored her -- really grabbed her. She decided that Wayne Shorter was really conducive to her music. She would speak metaphorically about things. "I want this to sound like a taxicab driver, or a taxi in New York," or "I want this to sound like a telephone ringing." She would speak to musicians like that, and we really tuned into what she would want our music to be.
She's a yellow pair of running shoes, a holey pair of jeans. She looks great in cheap sunglasses, she looks great in anything. She's, "I want a piece of chocolate cake; take me to a movie." She's a, "I can't find a thing to wear." Now and then she's moody. She's a Saturn with a sunroof with her brown hair blowing. She's a warm conversation I wouldn't miss for nothing. She's a fighter when she's mad and she's a lover when she's lovin'.
When Billie Holiday sings a song, I hear the song, but I always hear her and her truth.
I want to tell her that I can't pull her down. I want to tell her that she has to let go of my hand in order to swim. I want to tell her that she must live her own life. But I sense she already knows that these options are open to her. And that she, too, has made her choice.
I hope that people will say that 'she told the truth, she told her truth, she wasn't afraid to live her truth, and she wasn't afraid to live her truth out loud.' That's what I want my legacy to look like.
She didn't want to disrupt her family. She didn't want to lose her family; she didn't want to hurt her children. She struggled. It was a lifelong struggle for her, being in Bruce Jenner's body.
I want to talk to her. I want to have lunch with her. I want her to give me a book she just read and loved. She is my phantom limb, and I just can’t believe I’m here without her.”- on losing her best friend
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
I want so badly to tell Her it’s going to be all right, that I’ll leave the band and forget this silly crusade. I want to tell Her that I am ready to settle for this life, that she is all I will ever need in the world, and that we’ll never be apart. I want to tell Her that I will protect Her forever. But none of that would be the truth. So I don’t say anything at all.
...because in a way it happened to someone else. I don't really speak that person's language anymore, and when I think about her, she embarrasses me sometimes, but I don't want to forget her, I don't want to pretend she never existed. So before I start forgetting, I have to get down exactly who she was, and exactly how she felt about everything. She was me a lot longer than I've been me so far.
If you really want to know someone, you must see their emotions off guard. That's how I know Joan Crawford could never have been cruel to her children. I really knew her, when she was still Billie, as she liked to be called in the early days. In a relationship as close as ours, I had the chance to see her in every kind of personal situation.
What I really didn't want to do is work with other people and have them go, 'Oh, Finneas just does that sound for everybody.' The Billie sound is only Billie - I'll only do that for her.
Lyra learns to her great cost that fantasy isn’t enough. She has been lying all her life, telling stories to people, making up fantasies, and suddenly she comes to a point where that’s not enough. All she can do is tell the truth. She tells the truth about her childhood, about the experiences she had in Oxford, and that is what saves her. True experience, not fantasy - reality, not lies - is what saves us in the end.
I want to explore and do things with excellence. I want to write songs that resonate with me and will resonate with a live audience. I'm exploring fresh sounds.
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