A Quote by Finneas

Obviously I'm very grateful 'Bad Guy' is doing so well - it's shocking and surprising and gratifying - but I do think it's important to try to make the next song that people are gonna be excited about.
Be yourself and do what you actually like doing as an artist. Don't try to think too much about where am I gonna fit in here, and how is this gonna be received, and who is gonna like this? Just do what you like doing and make sure that you enjoy doing it. If you do that and you get good at it by practising, then people are gonna come around - there's so many people out there that listen to all kinds of music. It's important to just do what you like, otherwise the fun gets sucked out of it.
Usually, I'm a very positive guy. I try to think about the next chance, the next game, the next opportunity to play well.
The reason I feel bad for Steve Kloves is because he doesn't enjoy cutting things out. He's not sitting there with scissors, just laughing maniacally, going, "Ahahaha." He doesn't like doing it. The stories mean so much to him. But it had to go. And David kept saying, "We're gonna try, we're gonna try, we're gonna try" all the way into the shoot until the very last days, when he said, "Sorry, it's just not gonna work."
I like the idea of, not shocking people, but just throwing people off. Doing something that makes people go, 'Whoa, whoa, she did that next? Wow, didn't think she was gonna do something like that next.'
I am not gonna say that a guy's looks make him have to try harder in any way. I don't believe that at all. I think if he is funny, smart and cool, he's all set. Looks are not very important to me.
If we do a record, and there's a reggae song, it's not shocking to us. If we do an all hip-hop song, it's not shocking to us. We all listen to that sort of music. It's not about what's in at the time; it's what feels right to us and what we're comfortable in doing.
I think with anybody who's doing well in the public eye or whatever, there's always gonna be a shift because people don't wanna see somebody happy all the time. And they're gonna try to take shots at people.
So, the next film won't necessarily be modern-day Albany, Georgia but we're grateful for the films we've made (with Sherwood). The church is an amazing church. We're gonna grow as filmmakers and invest in the next generation of upcoming filmmakers and try to duplicate what we're doing.
It's always gratifying to hear that people are excited by something that you've been excited to make.
If you make the All-Star team and you get the label next your name, for whatever reason, people will think, 'Oh, yeah, he's good now.' But if you don't have it, it's, 'Well, he's never made it, he's never done anything, so why would you think he's any better than this guy or the next guy.'
I am grateful for what I am and have. My thanksgiving is perpetual. It is surprising how contented one can be with nothing definite - only a sense of existence. Well, anything for variety. I am ready to try this for the next ten thousand years, and exhaust it. How sweet to think of! my extremities well charred, and my intellectual part too, so that there is no danger of worm or rot for a long while. My breath is sweet to me. O how I laugh when I think of my vague indefinite riches. No run on my bank can drain it, for my wealth is not possession but enjoyment.
Well, what's interesting, I try not to think about the radio when I'm writing a song. I want people to love the song, and that means it might not be exactly thinking about the radio, but it's thinking about your audience and saying, 'I want people to like this song after it's done.'
I don’t make the decision about what percentage of good guy or bad guy I play. For some reason, if I put my energy into the bad guy, that scares people. It’s magic.
I don't make the decision about what percentage of good guy or bad guy I play. For some reason, if I put my energy into the bad guy, that scares people. It's magic.
People try to change up my method, but I'm gonna keep doing it the same way I've been doing it: going in the room by myself and making a song.
The purity of finding the right artist, that artist that's gonna be the next hall of famer, that artist that's gonna be the next headliner, lifting people out of their seats at Madison Square Garden, that song that's gonna be sung for hundreds and hundreds of years, that essence remains the same.
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