A Quote by Finneas
My feeling is that everybody starts out as an emulator. You follow their approach and that's how learning works. The pivot is that I don't think you're going to break new ground unless you do something different.
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We encountered an awful lot of problems from the drastic leap we took with Wind Waker. I think we will be a bit more careful in the future, but if we find a new approach that not just the developers, but also the users would enjoy then I think we will want to break new ground again. But we haven’t found such an approach yet.
I think you don't break new ground in anything in life if you are willing to just follow the rules.
As an actor, I think you can get really bad habits, if you do the same thing, every day. You can get stuck in a rut. So, I like jumping between genres, and then taking a break and learning something new. I like feeling like I'm still learning.
Everybody is talking and everybody is trying to block things out, but eventually you just yell, "Action!," everybody starts moving, the camera starts going, and you get a take.
Most of the time for me, you're learning what not to do, as opposed to what to do. You never know what to do. I don't, especially in a work environment. You have a little formula yourself. But when I see a director do something I think, whatever he or she just said totally screwed that actor up and now they're worse. I'm never going to do that. I'm going to figure out something else. I want my movie to be good. And that's how it works.
Set a new standard. Change reality. Break ground to something new and different. That achievement will live forever just because you WERE somebody special!
Everybody is different. You're always going to have disagreements with other drivers, unless you're not competitive and you never run good. I deal with everybody differently. Most guys, I have a lot of respect for and I'd like to keep it that way. So I try to communicate with them and find some common ground.
Performing in Detroit or performing in Chicago, you're on your own turf, but when you tour a show, the audiences change. You're in a completely different space; sensibilities change. I think I learned a lot from doing that - how written material works in different places, learning to have confidence, learning the idea of how to be adaptable.
I think the stigma surrounding mental illness and also the stigma surrounding self-esteem issues or insecurities or just even feeling different is something that doesn't really get enough attention. Everybody struggles with feeling alone or that they are going through something they don't quite understand.
It's through working with a lot of first-time directors that I realized that people learn on their feet. Everybody works on something for a different reason. Everybody has got something new to learn on these sets, and you don't have to know everything, the second you start.
I think the feeling that we're going to work together again usually starts to come up before the first project's even done. The Black Keys and I have already talked about starting on something new.
New laws, new kinds of things can emerge as the universe evolves. The more moving parts you have in something, the more possibilities there are. There's a whole new science now of complexity, and what we see is that complexity requires a very different approach than the kind of bottom-up approach that fundamental physics has always used. We're gonna have to think about the world in a different way if we want to address complex systems.
Certainly not everybody that is different is necessarily autistic, but there are a lot of undiagnosed people and it’s not necessarily something that needs to have attention to it, unless that person is feeling uncomfortable in the world or they need extra help or something.
I think everybody starts out by seeing a few works of art and wanting to do something like them. You want to understand what you see, what is there, and you try to make a picture out of it. Later you realize that you can't represent reality at all - that what you make represents nothing but itself, and therefore is itself reality.
Sometimes it's very hard for other New Orleans musicians to break out. It starts with the musician. They have to be willing to take a risk. Playing in the city, you can get comfortable. You think things are going well, but you're always in the city.
It's similar to basketball: when you go to different gyms and win or lose, you learn something new. So when kids get out of the classroom, go to a new environment and meet different people, it opens their eyes to new things, and they have fun learning.
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