A Quote by Finneas

I feel like the thing that I've learned a lot is when you're involved in something, you don't always get to appreciate it for what it is as much. You're focused on the details and how you can make it better. It's kind of torture.
Once you feel that you've learned some skills and you know how to make records, the next thing is, "Do we ever get to make one that people will really like?" Because then we'll have something to do.
I don't know - I feel like someone would think of me, or anyone in my family, as unappreciative of a moment, and I've really learned to appreciate a moment. I take things in a lot. I'm kind of weird like that. I like to go outside at night by myself and look at the sky and just appreciate it. I'm not that big of a weirdo, but - occasionally.
I always loved the work. As soon as I finished a movie, the most exciting thing to do was to try to jump into the next one. How I feel about it is that I learned a lot, so I'm grateful that I learned so much, at such a young age, rather than in my more adult professional career.
Always be focused and never let it go - that's something I've learned so much. I learned that from Simeone.
I feel I'm better now than I ever have been. You learn so much as you're doing it. I'm watching tapes and I'll see things that get me annoyed and where I know I can improve. I understand better letting the crowd play more. I've always said it was important for me who I was working with, because I like to kid around a lot. But I've also learned to use my partner better. I'm feeling good. There's no reason to stop.
I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.
A lot of players are scared to talk because a lot of people aren't financially stable to where they can make comments on how they feel about things and not feel like they will get cut or something like that.
I definitely enjoy the kind of magic that happens being on stage with a group when everything's working. The vibe when that's happening gets even better if the audience is involved and you can feel that interaction. That's something you don't get with your headphones on in a studio; it's much different.
I grew up in LA so I'm definitely a West coast girl. It's a totally different beach. It's a totally different ball game. I feel like on the East Coast being at the beach is something they don't get to do a lot. So you get this feeling where feel the energy of everybody just being so excited to be on vacation or in the sun. Here in LA I feel like we get that a little bit more so we don't appreciate it as much. But there you could really feel the energy.
I've learned that if I only put my mind to one thing that I can get tunnel vision. Then I may not be as open to other opportunities because I'm so focused on one thing. I think what's worked better for me personally is I have three goals every day: be nice, work hard and make friends. Those are my daily goals, and I feel like those are the things that create opportunity and creating connections that will then lead to other things that I may not have planned for otherwise.
I've learned that if I only put my mind to one thing that I can get tunnel vision. Then I may not be as open to other opportunities because I'm so focused on one thing. I think what's worked better for me personally is I have three goals every day: be nice, work hard, and make friends.
I wish I were better at straightforward description. I feel like I'm usually overdoing it or underdoing it, and it takes a lot of tweaking to get the details right.
If I've learned anything, it's there's just no drama, which is awesome. I've also just learned to read when it's a good time to talk about something serious and when it's not. And whenever I start to have a conversation with them, and I kind of see their eyes start to glaze over, I'm like, 'Okay, another time is better.' You learn how to compromise and you learn how to read each other. Honestly, being in a band with two guys has prepared me so much for when it's time for me to get married!
Torture is how you create enemies, not how you defeat them... Torture is how you get bad information, not good intelligence. Torture is how you set back America's standing in the world, not how you strengthen it.
If you're not an actor, or if you're any other kind of artist, there's this sense that, "I must express this thing." Why make a painting if you don't feel like you have to for something inside of yourself? Why make a song if you don't feel like you have to because there's something that you need to get out? And when you're an actor and you're not performing text that you've written, I think there's this bizarre disconnect with the must-ness of it.
When I started that's how I wrote because I didn't know any better. I was just like "I want to make music." Then there were all these things that I learned to get myself over certain humps, but I think it just comes down to: do I have something to say or not? If I'm feeling something I should try to get that out, and maybe it's not words, but trying to turn it into something.
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