A Quote by Finneas

I came to NAMM once and saw this guitar that self-tuned, and I thought, 'Wow, this is the future!' And I've never seen it again. — © Finneas
I came to NAMM once and saw this guitar that self-tuned, and I thought, 'Wow, this is the future!' And I've never seen it again.
With each project, I'm going for something that makes viewers think, 'Wow, I've never seen a film like this before,' and later think, 'Wow, I've only seen a film like this once before. I saw it in theaters and am watching it now on Netflix or a similar streaming service.'
I wanted to do 'Matrix' because when I saw the first one, I was in Paris, and I came out from the movie and said, 'Wow - I've never seen something like that; it's so incredible.'
I used a '57 Les Paul on one track, 'These Walls', which features Alam Khan on sarod. I tuned it way down because the sarode is naturally in C but I tuned the guitar down to D and he came up to D. It was all a pretty simple setup.
I've seen fire and I've seen rain I've seen sunny days that I thought would never end I've seen lonely times when I could not find a friend But I always thought that I'd see you again.
I saw 'Fifth Element' once when it first came out and never thought much of it.
I suppose when I started playing guitar, it was the means to an end. I never thought of myself as a fully fledged guitar instrumentalist. And my early excursions on the electric guitar were curtailed when Eric Clapton came on the scene, and I decided I was never going to be in the same arena as a Clapton or a Peter Green.
Coming here, I sharpened and fine-tuned everything I had and needed. What I thought of as myself as a performer, I looked back and was like, ‘Wow, I improved from where I was.’ I thought I was ready and then saw the improvements I made which were unbelievable. It makes the transition from down here to up there (the WWE roster) so much easier because you’re prepared for what they need you to do. It’s not like you’re jumping into a whole other world. You’re prepared for what they need.
Before I had studied Zen for thirty years, I saw mountains as mountains, and waters as waters. When I arrived at a more intimate knowledge, I came to the point where I saw that mountains are not mountains, and waters are not waters. But now that I have got its very substance I am at rest. For it's just that I see mountains once again as mountains, and waters once again as waters.
A violin is tuned to a fifth. But a guitar is tuned to a fourth with a one-third middle. It is very perplexing to composers.
I did not want to move. For I had the feeling that this was a place, once seen, that could not be seen again. If I left and then came back, it would not be the same; no matter how many times I might return to this particular spot the place and feeling would never be the same, something would be lost or something would be added, and there never would exist again, through all eternity, all the integrated factors that made it what it was in this magic moment.
As a grown woman, I saw the first black president reach down a hand and touch the face of a child like I once was, lifting his eyes toward a better future. But I have never, ever, in all my years seen a leader so committed to delivering that better future to America's children as Hillary Clinton.
I started in Shakespeare. I'm classically trained, which, how hilarious is that? Then one night, I saw Second City and thought, 'Wow, that's what I want to do.' But I never thought it would morph into screenplay writing.
At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums... ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'
At a young age I thought, 'Wow, that fiddle thing, that's pretty cool. That mandolin is great. These drums, I like these drums ' They were Indian drums. And I was saying, 'But that guitar. That guitar. Girls are going to like that guitar.'
I was doing someones hair the day I first saw my guitar ... a guy was walking down the street with it, and knew that guitar was mine (a 1953 weathered Fender Telecaster) .. I said I'll get you the most beautiful guitar you've ever seen and I'll trade you straight across ... I found him a purple Telecaster and said here's your guitar ... that was it, it was like he knew that guitar belonged to me.
Then I saw her smile so close to my eye that there was nothing to see but the smile and the thought came into my head that I’d never been inside a smile before. Who’d have thought being inside a smile would be so ancient and so modern both at once
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