A Quote by Finty Williams

Ironically at drama school I was told I didn't have a voice conducive for radio. — © Finty Williams
Ironically at drama school I was told I didn't have a voice conducive for radio.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
I do have a bit of a gravelly voice; people have told me I've got a good voice for radio.
Interestingly, many of the organizational characteristics that have been identified as conducive to effectively managing diversity and as conducive to fostering innovation and creativity in the workplace are also important for enabling employees to voice their values.
Ironically, the success I've experienced at country radio has left me ostracized from pop and other formats of radio.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
'The Good Wife' has actually been something, ironically, that I've watched since episode one, season one in the U.K. because it came up when I was in drama school. I always watched it. It was kind of like an actor's show.
I never went to drama school, but I was really lucky in that both my junior school and secondary school had brilliant drama departments.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
I started studying theater in school, and then I got into drama school at, like, 19, and it was a national drama school in Montreal, and so it was just you and nine other students for three years, and it was really intense.
I always loved drama at school. We had a great drama teacher at my secondary school, and she made drama feel cool. She inspired me, and then I did the National Youth Theatre in London.
I went to drama school but soon realised I was terrible at acting, so I ditched drama school for art school.
At drama school we were encouraged to keep fit and healthy, but not to bulk out. We were told to stay lithe to allow our bodies to morph when we're playing various parts. Running is ideal for this, especially when I needed a lean look for the Channel 4 drama 'Cucumber.'
I was frequently told at drama school that I was thinking too much.
In my last year of drama school, I was Abigail in 'The Crucible' and Nina in 'The Seagull,' and I did some Shakespeare with the RSC. That's what casting directors saw me in, and I got put up for a lot of period drama auditions. I always get told I suit the costumes. I don't think I have a very modern-looking face.
My next step must be to go to drama school. Well, I get into drama school, so I did that.
I'd always wanted to go to drama school. My life plan was to get into drama school and become an actor, but it took me three years.
This site uses cookies to ensure you get the best experience. More info...
Got it!