A Quote by Fiona Apple

Everything that happens to me, I experience it really intensely. I feel it very deeply. — © Fiona Apple
Everything that happens to me, I experience it really intensely. I feel it very deeply.
I'm such an incredibly, stupidly sensitive person that everything that happens to me, I experience it really intensely. I feel everything very deeply. And when you feel things deeply and you think about things a lot and you think about how you feel, you learn a lot about yourself. And when you know yourself, you know life.
I feel like with everything you do, everything you make, everything you experience, y'know, even the dumb stuff that you don't even really pay much attention to, like the mundane stuff that happens to you every day, it shapes the person who you are.
What, for me, was exciting about America was just this extraordinary, complex, difficult, fascinating country, and Britain can feel very small. London, in particular, feels small because everything happens there, so you have publishing, politics, you have finance; everything in Britain happens in London.
When I feel something very intensely or deeply or personally, I can go to extremes of self-expression or self-analysis by writing a poem - more than I can just talking to somebody or writing prose.
How do you change what you believe when your experience has convinced you otherwise? By creating a new experience. The best way for you to get that new experience is to change your response to what happens. By the natural law of cause and effect, that new response will create new results, which you will then experience as a new reality. To reach the goal of happiness, act as though the following statement is already true: Everything that happens to me is the best thing that can happen to me.
When I create music, the feeling that you get... I get first. You [the listener] have a delayed experience with the feeling I initially get when I have a creative insight. Not just the voice, but all the creativity - the production, the idea, the concept, the music involved. There is a high. There is an emotional experience that happens when everything comes together... I made music as consistently as I did, especially back in the day, because it made me feel so good... When everything is on, it's a wonderful feeling.
I was a lonely, frightened little fat kid who felt there was something deeply wrong with me because I didn't feel like I was the gender I'd been assigned. I felt there was something wrong with me, something sick and twisted inside me, something very very bad about me. And everything I read backed that up.
I knew where the magnets were, behind the gyprock, and the magnets were very powerful. I think they had to be powerful for me, otherwise the reader wouldn't have a reciprocal experience. But I was very careful to bury them deeply, deeply in the plaster and paint over them. I didn't want anybody to directly access them, and that's gradually changed for me.
Adolescence is a time in which you experience everything more intensely.
I want the reader to feel something is astonishing. Not the 'what happens,' but the way everything happens. These long short story fictions do that best, for me.
I want the reader to feel something is astonishing - not the 'what happens' but the way everything happens. These long short story fictions do that best, for me.
All mysteries of human experience that are eliminated when we understand that we are a great deal more than our body and when you look very deeply at who and what the soul really is, who and what God really is.
I do feel my fan base, my community understands me and appreciates me very deeply, and that is the wind in my sails to keep doing what I am doing. I know that my work really inspires people and they tell me that all the time, and so that's wonderful.
...if you feel everything intensely, ultimately you feel nothing at all.
Taking a hypersensitive approach to life had come to seem so much more pure and honest then joining the ranks of the numb masses who could let it all slide by. What I stopped realizing was that if you feel everything intensely, ultimately you feel nothing at all. Everything registers at the same decibel.
What happens is that with difficult processes on a film, they get very intensely compressed because a clock is ticking.
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