A Quote by Fiona Apple

I got a lot of problems, but I'm really good at intuiting what I need to do to be happy with whatever I create. I know when to stop myself, I know when to start, I know when to leave something alone. I guess I just kind of indulge that completely, and so I just take my time.
I really need to know where I'm going with fiction to write it in a way that at least I'm happy with. And I really think that a lot of fiction books end badly because terrific writers said, "I'll just figure it out" and plunge in, but have created so many problems that they are kind of impossible to solve. I mean, I'm talking really good writers do this and you can tell when they got to the end they either had to do something preposterous or they just don't really resolve things. So for fiction I spend a lot more time outlining and for humor I really don't do much of it.
I really do feel like I know myself, and I'm so happy to be by myself and I'm so happy to be with other people; I just know myself really, really well, and I think that is an amazing thing. I think a lot of people don't know themselves that well.
I really do feel like I know myself, and I’m so happy to be by myself and I’m so happy to be with other people; I just know myself really, really well and I think that is an amazing thing. I think a lot of people don’t know themselves that well.
What you find with really good directors is that they kind of leave you alone. They've hired you because they know the kind of work you do and the sense of how you'd approach it. So usually, they'll just stand back and maybe give you a nudge once in a while in terms of something specific they might want in a particular scene.
If you're steering a boat down a river, it's not something about which you can know that. You can only know how to do it. It's unfinished, it has no start-stop time, it's fluid. Practicality relies on indeterminate markers. It's just another kind of knowledge that's sexy, in a certain way. It's reactive, and often physical.
A song, you know, you've got a tempo. You know,you've got something that is moving swiftly. You can't stop it, you know? Andit's designed to move swiftly from, you know, mouth to mouth, heart to heart,where a poem really speaks to something that has no time and that is - it's acompletely different perception.
I used to game a lot, you know, back in the day. My gaming time done got so short that my skills ain't where they need to be to be online, you know what I'm saying? I just got that Xbox One. I gotta get my skills back, up the par to call myself a gamer.
Maybe it's easier to have that desire guest-spot-packed album, for example, you're a rapper and you need someone to sing the hook. I guess for us, it just kind of feels like we want to explore ourselves more. That sounds kind of cheesy, but I don't know. I have a lot of artists whose music I have this perfect relationship with, and I don't really feel like I need to meet them or get to know them or write with them because of it.
My therapist told me I need to learn to love myself. It sounds easy enough, but really, how do you just wake up one day and learn that? It feels like something you should just do involuntarily, like swallowing or blinking, but now I have to work on it. It feels so forced. I mean, I know I went to a good school, and people tell me I'm smart and creative, but I don't KNOW that. I don't know how to make myself feel that.
It is really hard when your life is scrutinized by people who don't know you and who don't really know what the situation is. So I avoid the good and the bad and just try to live in a world where I can insulate myself from whatever is out there.
I have a boundary problem... I need to know when to give and when to back up. I'll help someone across the street and then into their homes and they'll start telling me all their problems... and it turns out they're insane and want to kill me. I've got to know when to stop!
We all have to pick our battles. You've got to draw a line in the sand and stand firm. And it's this squishiness that's really the enemy, like, "Well, I don't know, it's kind of OK but I kind of feel guilty, and I kind of want a bran muffin, I don't know, and I'm wearing a vest; it's crocheted." Shut up. Just pick your battle and just stand there, and whatever you are going to do, own it.
I know a lot of really good actors - tons, just tons - who I still don't know why they don't work all the time because they're that good. It's just a weird business, and I know a lot of actors who shouldn't be working, but they work all the time.
I'm just trying to really take it one day at a time, because for me - and I know this sounds cliche, whatever - I achieved my ultimate goal, and nothing can really top that, you know?
I think I was just so ecstatic that I was working, and then as it went on, you know, I started to really appreciate that it ["Freaks and Geeks"] was good and that we were doing something a little different and that, you know, everyone was really cool to work with and that it was really talented group of people, and it was just when I was realizing that, that it got canceled.
I used to say things like, 'My name's not Al (Bundy), you know?' Not to the press, but to fans. 'My name is actually Ed.' I'd find myself saying that, and I'd think, 'Who do you think they think you are? They only know you from that!' And finally I just got...I don't know, I guess a switch went on for me, and I realized, 'This was the greatest job that you've ever had in your life. Why are you acting like an asshole?' So from that minute on, I kind of...well, I hate the word 'embraced,' but I just kind of went, 'Yeah, okay.' 'So you're Al, right?' 'Yep!'
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