A Quote by Fiona Apple

You think you're looking at things all the time, but you're not looking at things, you're looking at what your brain is interpreting through light and color. And who knows what everybody else sees?
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
If you're looking where everybody else is looking, you're looking in the wrong spot.
If everybody knows where everything is kept you can avoid wasting time looking for things.
I think everybody wants to feel validated in some way, and when you're looking for leisure activities or if you're looking for escapism or things like that, you want to read about characters you can identify with.
When someone is looking down, they're saying no. When they're looking up, they're looking to their brain for memory. When they look to the left, they're looking for a lie or something they memorized. When they look to the right, they're feeling sorry - they don't want to answer.
You have to be able to observe life as if you were a camera all the time, constantly looking at light and the way that things are placed and the way people hold themselves. You need the ability to see something in someone or something that no one else really sees and be able to bring that to light. Basically, you have to be an obsessive crazy person.
I'm inspired by looking at art, by looking at precedent. Looking is what you have to do if you want to make things, so you develop a critical eye.
I try not to look back. I'm looking forward. I'm worried more about what I'm going to do next week than I am what I did last week. There are too many things to do. Looking back is for everybody else.
I think that if in your heart, you are seeking out a real puzzle, and you're not looking to frighten anybody, you're not looking to upset anybody, and you're looking to discuss a subject that you yourself went through when you were nine - you just don't remember the difficulties of one's own childhood.
I think good-looking people seldom make good television. And American television studios almost concede before they start: 'Well, it won't be good, but at least it'll be good-looking. We'll have nice-looking girls in tight shirts with F.B.I. badges and fit-looking guys with lots of hair gel vaulting over things.'
I'm not particularly good at coping with it. I just cope. I just leave my brain at the door and just stand there. I can get the screaming more than I get the photo things. That's the worst, when you have this wall of photographers. I've never understood the logic in how they do it. Everybody shouts at the same time, and you're trying to do a logical thing, looking from the left to the right. And they almost always end up looking disappointed with you afterwards.
Without opening your door, you can open your heart to the world. Without looking out your window, you can see the essence of the Tao. The more you know, the less you understand. The Master arrives without leaving, sees the light without looking, achieves without doing a thing.
The act of looking is brave. Especially if you look at things you can't handle. I think that most people do not look. If you're really paying attention you could have your heart broken twelve times a day. Most of the time we aren't looking.
An actor's only perception is of their character, and they're looking at one piece. A writer is looking at the entire story. They're going to see things that the writer didn't see because they're only looking through their lens.
Hopefully, through all aspects of life, you learn from things you've got right, things you've got wrong, but I'm not one for looking back. I'm looking ahead; you've got to.
I'm just looking forward to playing, and if anything else comes my way it's a bonus. I'm looking to have an injury-free season and doing things for Lancashire to get us where we belong.
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