A Quote by Fiona Barton

The secrets of small towns have fascinated writers and readers since the first psychological thriller was penned. — © Fiona Barton
The secrets of small towns have fascinated writers and readers since the first psychological thriller was penned.
There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers.
I think that setting a novel in a small town taps into a sense of nostalgia among readers. People tend to believe life is different in small towns, and frankly, it is different.
In small towns as well as large, good people outnumber bad people by 100 to 1. In big towns the 100 are nervous. But in small towns, it's the one.
I speak at a lot of banquets in small towns, because small towns have so many great people.
When writers are self-conscious about themselves as writers they often keep a great distance from their characters, sounding as if they were writing encyclopedia entries instead of stories. Their hesitancy about physical and psychological intimacy can be a barrier to vital fiction. Conversely, a narration that makes readers hear the characters' heavy breathing and smell their emotional anguish diminishes distance. Readers feel so close to the characters that, for those magical moments, they become those characters.
I have a total responsibility to the reader. The reader has to trust me and never feel betrayed. There's a double standard between writers and readers. Readers can be unfaithful to writers anytime they like, but writers must never ever be unfaithful to the readers. And it's appropriate, because the writer is getting paid and the reader isn't.
I've always been fascinated by the Mississippi River and the way of life in these small river towns.
To me, the solidarity of readers is far more important than the solidarity of writers, particularly since readers in fact find ways to connect over a book or books, whatever they may be.
I love playing small towns, but in Sweden, it's sometimes a little bit weird, because all small towns are just so close to bigger cities that people are not as grateful when you show up as they are in Odessa, Texas.
My #1 job as a thriller author is to give readers the best white-knuckle thrill ride I am capable of. I am first and foremost in the entertainment business. If that suspenseful ride is also terrifying because it hits really close to home, then I am once again doing what I am supposed to do as a thriller author.
I would love to do something in the thriller category. Not so much horror, but I would love to do a full-on psychological thriller. That would be really interesting. A period piece would also be fantastic.
Writers, because they write, are condemned never to be readers of their own stories...The memory of first putting a story into words will always prevent writers from reading their work as an ordinary reader would.
Few writers in history have ever been 'politically correct' (a notion that rapidly changes in any case), and there's no reason to imagine that gay writers will ever suit their readers, especially since that readership is splintered into ghettos within ghettos.
I write traditional drama, and the small enclosed communities work well with this form. I enjoy exploring secrets. On small islands, privacy is important, and there are secrets that everyone can guess but nobody talks about.
Movies have influenced all writers, not just thriller writers.
There are so many people who don't know small towns exist. When I write, I want to give my readers two things: one is a sense of consolation, and two, I want to make them laugh.
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