A Quote by Fiona Barton

I know I love a novel with an unreliable narrator, and I think many readers do as well. — © Fiona Barton
I know I love a novel with an unreliable narrator, and I think many readers do as well.
I think every narrator is an unreliable narrator. In its classic definition - an unreliable narrator is one who reveals something they don't know themselves to be revealing. We all do that.
I think every first-person narrator in a novel should be compromised. I prefer that word to unreliable.
I think every first-person narrator in a novel should be compromised. I prefer that word to 'unreliable.'
I would love to play a sociopath or, like, an unreliable narrator.
I very much like the idea of the unreliable narrator. Shaping my fictions as monologues - by introducing the "I" - allows me to be as unreliable as I like.
The unreliable narrator is an odd concept. The way I see it, we're all unreliable narrators of our lives who usually have absolute trust in our self-told stories. Any truth is, after all, just a matter of perspective.
If someone tells you that George Bush is not the 43rd president of the United States, they might be engaged in wishful thinking, or denial, but if they make that claim, it's either true or false! And you can assess that, regardless of whether there's an omniscient narrator, or an unreliable narrator, or it's shot in vérité, or it's manipulated, it's agitprop, whatever! It makes no difference! It's a style!
Well, people have been wondering what's going to happen to the novel for two hundred years; its death has been announced many times. You know, I think the novel keeps redefining the world we live in. What you should look for in a novel is a window nobody else is looking out of, that nobody else can look through. What you look for is a voice. You pick up a novel by someone such as Faulkner or Hemingway and you just read three pages and you know who wrote it. And that's what one should demand of a novelist.
Philip Galanes has fashioned a novel both bleak and funny about a young man's struggle to sort out his troubled love: the too-strong love for his mother, the too-weak love for his suicidal father, and the all-consuming love of anonymous sexual encounters. Pointed and acute, this story tells of the narrator's many betrayals of others and their many betrayals of him. It exists in an uncomfortable moral space where the humor of terrible things sometimes outweighs, but never obscures, their poignancy.
I've always felt that the traditional novel doesn't give you enough information about the narrator, and I think it's important to know the point of view from which these tales are told: the moral makeup of the teller.
Ezra clapped his hands. "all right," he said. "In addition to the books we're reading as a class, I want to do an extra side project on unreliable narrators." Devon Arliss raised her hand. "what does that mean?" Ezra strode around the room. "well, the narrator tells us the story in the book, right? But what if... the narrator isn't telling us the truth? Maybe he's telling us his skewed version of the story to get you on his side. Or to scare you. Or maybe he's crazy!
There's something uniquely exhilarating about puzzling together the truth at the hands of an unreliable narrator.
I love the fact that so many of my readers are intelligent, exceptional, accomplished people with an open-minded love of diversity. But even more than that, I love it when my readers find lasting friendship with others of my readers - knowing that they met through their mutual affection for my books and characters makes me happy!
I think the large part of the function of the Internet is it is archival. It's unreliable to the extent that word on the street is unreliable. It's no more unreliable than that. You can find the truth on the street if you work at it. I don't think of the Internet or the virtual as being inherently inferior to the so-called real.
Many readers know my work first through 'Housekeeping,' simply because it was my only novel for a pretty long time.
Typically in my novels the narrator tells a story by remembering, and the memories are colored by this and colored by that. So the whole universe of the novel tends to be framed by the narrator's memories and thoughts.
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