A Quote by Fiona Barton

As a journalist, I've been a professional watcher, picking up the body language and verbal tics that make us individuals and interesting to others. — © Fiona Barton
As a journalist, I've been a professional watcher, picking up the body language and verbal tics that make us individuals and interesting to others.
By the time the child can draw more that scribble, by the age of four or five years, an already well-formed body of conceptual knowledge formulated in language dominates his memory and controls his graphic work. Drawings are graphic accounts of essentially verbal processes. As an essentially verbal education gains control, the child abandons his graphic efforts and relies almost entirely on words. Language has first spoilt drawing and then swallowed it up completely.
Expressing love in the right language. We tend to speak our own love language, to express love to others in a language that would make us feel loved. But if it is not his/her primary love language, it will not mean to them what it would mean to us.
Well, I don't know about objectivity, but I know for certain that it's always possible for a professional journalist who understands what he or she's up to to be fair, and that's the key word. Fairness to individuals, fairness to ideas, and to issues and whatever - that is critical, and that is also part and parcel of what the job.
Let me make something clear: I can't do anything in particular to make others laugh. I do what is necessary for a character. The body language of the character may make others laugh.
When you look at the brain regions associated with picking up data from the body, a huge amount of the brain is devoted to picking up information from the lips and tongue.
I definitely have a gift for language that is rhythmic and attractive to the ear, and I have interesting [verbal] imagery which I guess is a poetic touch.
There's a very basic human, non-verbal aspect to our need to make music and use it as part of our human expression. It doesn't have to do with body movements, it doesn't have to do with articulation of a language, but with something spiritual.
Our sense of identity is in large measure conferred on us by others in the ways they treat or mistreat us, recognize or ignore us, praise us or punish us. Some people make us timid and shy; others elicit our sex appeal and dominance. In some groups we are made leaders, while in others we are reduced to being followers. We come to live up to or down to the expectations others have of us.
Some individuals may perceive their losing fight with gravity as a sharp pain in their back, others as the unflattering contour of their body, others as constant fatigue, yet others as an unrelentingly threatening environment. Those over forty may call it old age. And yet all these signals may be pointing to a single problem so prominent in their own structure, as well as others, that it has been ignored: they are off balance, they are at war with gravity.
Language makes it possible for a child to incorporate his parents' verbal prohibitions, to make them part of himself....We don't speak of a conscience yet in the child who is just acquiring language, but we can see very clearly how language plays an indispensable role in the formation of conscience. In fact, the moral achievement of man, the whole complex of factors that go into the organization of conscience is very largely based upon language.
There is a language older by far and deeper than words. It is the language of bodies, of body on body, wind on snow, rain on trees, wave on stone. It is the language of dream, gesture, symbol, memory. We have forgotten this language. We do not even remember that it exists.
What is the world that is to be given up? It is here. I am carrying it all with me. My own body. It is all for this body that I put my hand voluntarily upon my fellow human beings, just to keep it nice and give it a little pleasure. It is all for the body that I injure others and make mistakes.
One of the things that I think about is: How do you make moments that float, transparent? Moments that could just float away. How do you make a body accountable for its language, its positioning? Why not make a body accountable for its language?
I believe that words can help us move or keep us paralyzed, and that our choices of language and verbal tone have something - a great deal - to do with how we live our lives.
words alike make the destiny of empires and of individuals. Ambition, love, hate, interest, vanity, have words for their engines, and need none more powerful. Language is a fifth element - the one by which all the others are swayed.
I am a professional dancer, so picking up dance steps was like brushing my teeth.
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