A Quote by Fiona Bruce
I saw 'The Theory of Everything,' which I loved, but I'm afraid I hardly ever get to go to the cinema.
Related Quotes
I've seen 'Absentia,' which was amazing. I loved 'Absentia.' I loved that for no money, he was able to make a movie about something that you never saw. You never saw the bad guys. That was amazing to me. You never saw what you were supposed to be afraid of; you just knew you were supposed to be afraid of it. It was a phenomenal movie.
My theory is - we don’t really go that far into other people, even when we think we do. We hardly ever go in and bring them out. We just stand at the jaws of the cave, and strike a match, and ask quickly if anybody’s there.
When I went to the cinema as a boy, when I saw a war film, I thought the general was the star, and that Cary Grant was an extra. I had no idea about the structure of film, but I loved going to the cinema.
Cinema has changed the world. If you go to the beginning of the cinema, you can see that the world started meeting other worlds. It was extraordinary. We saw how other people were living and thinking. How they were sad or happy. We also saw the body - naked or half-naked people, which was prohibited everywhere by religions. This was extremely important.
It [horror genre] never dies. It just keeps getting reinvented and it always will. Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.
As I watched Bill, waiting with apparent calm for death to come to him, I had a flash of him as I'd known him: the first vampire I'd ever met, the first man I'd ever gone to bed with, the first suitor I'd ever loved. Everything that followed had tainted those memories, but for one moment I saw him clearly, and I loved him again.
Yeah, I like clothes, but I hardly ever go shopping. Hardly ever!
I always saw the best reporters as ones you hardly ever saw other than when they were back in the newsroom, writing their stories.
And, partly, I had found that theory-structure was a superpower in helping one get what one wanted. As I had early discovered in school wherein I had excelled without labor, guided by theory, while many others, without mastery of theory failed despite monstrous effort. Better theory I thought had always worked for me and, if now available could make me acquire capital and independence faster and better assist everything I loved.
The first movie I ever saw in the cinema was Walt Disney's 'Pinocchio,' upon its 1984 re-release, which would have put me at three years old.
I hardly ever go to parties. If I really have to, I'll go, but I'm not the most open person, which is sometimes not the best quality.
When you have girl children, they torture you! If at any moment of the day I ever think I'm remotely cool at all, which is hardly ever, I have two daughters who make sure that never happens. They say, 'Mom, you didn't really wear that?' And I say, 'Yes, and pretty much everyone saw it.'
I think it laughable, frankly, that the physics community comes up with a theory for everything. There isn't one theory for everything. There is not one explanation. We may eventually have several theories that can tie things together nicely but there is not a single theory of everything.
You get a painting idea, and you go do that. You get a cinema idea, and you go in to do that. The difference is, even though the paintings might take some time to make, with cinema you are booked for a year and a half, minimum.
I was a captive and a slave. I loved Dora Spenlow to distraction! She was more than human to me. She was a Fairy, a Sylph, I dont know what she was--anything that no one ever saw, and everything that everybody ever wanted.
Dancers can get to see almost everything now. When I used to go into companies to make a piece, the dancers had hardly ever seen my work. Now they can watch it on YouTube. It means they're much faster at picking up material.
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